South Africa Plans to Grow Biodiversity Economy

Wildlife has blossomed on privately-owned land in South Africa since legislation was passed in the 1970s, making the ownership of wild animals and their utilisation a viable alternative to conventional agriculture with crops and livestock. This has made South Africa an attractive destination for ecotourists and hunters, and has allowed the evolution of a thriving economy based on biodiversity. But not all citizens of the country have benefitted from this form of land-use. Draft legislation from government now proposes some bold new initiatives to address this gap – but will they work?

 

In the Government Gazette No 50279 of 8 March 2024 the Department of Forestry, Fisheries and the Environment invited public comment on the Draft National Biodiversity Economy Strategy (NBES). The lengthy (60 pages) original notice may be accessed at: https://www.dffe.gov.za/sites/default/files/legislations/nemba_draftbiodiversityeconomystrategy_g50279gon4492.pdf

 

This document contains many proposals that will resonate with the hunting community, and demonstrate a welcome shift in government policy that seemed in recent years to have drifted more towards the animal rightist philosophy rather than the pragmatic sustainable wildlife management practices of South Africa’s neighbours such as Botswana, Namibia and Zimbabwe. On the other hand, many of the proposals seem ill-considered and based on wishful thinking rather than careful analysis based on facts and figures.

 

Given the very broad scope of the NBES, it is rather difficult to provide a manageable overview that is not overly long and complex. Instead, I will attempt to pick out a few highlights from the Government Gazette that may be of particular interest to our readership, and offer comments on these. It should also be noted that a number of organisations and individuals have already made public comments in the media about the NBES. These range from predictably negative views from the anti-hunting and animal-rights lobbies to positive views from various sources in SADEC countries, wildlife economists and wildlife management specialists.

 

An annoying feature of the draft NBES is that some of the background details underpinning the strategy are apparently contained in a separate SEIAS document, making it very difficult to understand the hard numbers behind some of the goals and aspirations stated in the strategy (if indeed they exist).

Any inquiries in connection with the draft National Biodiversity Economy Strategy, or in connection with obtaining a copy of the Socio-Economic Impact Assessment Study (SEIAS) on the draft National Biodiversity Economy Strategy, can be directed to Mr Khorommbi Matibe at KMatibe@dffe.gov.za

For those unfamiliar with the history of South Africa, it should be pointed out that land tenure and forms of ownership and occupation are convoluted and complicated, to say the least. First colonised by the Dutch and the British in succession, there were prolonged conflicts between colonists and resident natives from the Xhosa and Zulu nations. The British waged a brutal war against the Zulus in 1879, which saw a humiliating defeat of the Royal Army at Isandlwana and then the decimation of the Zulu Army at the Battle of Ulundi. Next followed the Anglo-Boer war, a bitter conflict marked by shameful treatment of the boers by the British, where thousands of women and children died in concentration camps while boer farms were torched and plundered in a scorched earth policy.

 

In the next phase the Dutch and Huguenot settler descendants evolved into the Afrikaner nation with their own language and culture, and in 1948 their National Party won political domination. They implemented a policy of racial segregation or ‘apartheid’ which attempted to create ‘independent homelands’ for the major black ethnic groups, while ‘whites’ of European descent took ownership of large areas of farmland across the country. This was of course a bitter dispensation for the black majority and increasing racial tensions were headed for civil war until 1994 when democratic elections saw the African National Congress (ANC) become the governing party in the ‘New South Africa’ which comprises no less than nine provinces, each with its own legislature and certain executive competencies, including conservation and therefore biodiversity.

 

To further complicate this already messy mix of governance, the Traditional Leadership and Governance Framework Act 41 of 2003 provides for the recognition of traditional communities, including the establishment and recognition of traditional councils; a statutory framework for leadership positions within the institution of traditional leadership, the recognition of traditional leaders; legislative houses of traditional leaders; provision for the functions and roles of traditional leaders, and more. Land tenure within these traditional communities is usually allotted by a ‘traditional leader’ or tribal chief and land-use decisions are seldom based on ecological principles or carrying capacity.

 

Many of the former ‘homelands’ now fall under traditional governance. Land degradation through over-stocking is widespread, and soil erosion pervasive. Many traditional communities regard their livestock as wealth and ‘money in the bank’, and growing populations place increasing pressure on land and habitat suitable for wild animals and biodiversity. Although the population growth curve appears to be flattening out as South Africans become increasingly educated and urbanised, the momentum of the exponential population growth since the 1950s will be felt for many years to come.

The South Africa of 2024 is a country in trouble in many respects. The economy has remained lethargic for years and unemployment is among the highest in the world. Young people, even those with good education, are unable to find jobs. Frustrated youths are the brushwood of incendiary revolution. Government is desperate to ignite the economy, create employment and to address the plight of the so-called ‘Previously Disadvantaged Individuals (PDIs).

 

In some ways the NBES can be viewed as late attempt by government to address some of the land tenure and resource access issues that it has failed to deal with during 30 years of ANC management. It may also be interpreted as a desperate effort to seek political support for an increasingly unpopular administration. In this it has fallen short.

 

The latest political development is the outcome of the May 2024 elections that has resulted in the ANC losing its dominance for the first time in 30 years, gaining only 40% of the national votes and now with a ‘Government of National Unity’ currently under construction. Given the highly complex and fragmented picture of the South African historical and political landscape, let’s look at some selected proposals in the draft NBES.

 

From the Executive Summary

South Africa is a country with diverse cultures, remarkable geological wealth, and exceptional biodiversity, much of which is unique, and with high levels of endemism. With this rich endowment comes the responsibility and challenge of ensuring that all species and ecosystems are conserved and used sustainably for the benefit of current and future generations. The National Biodiversity Economy Strategy (NBES) is developed to optimise biodiversity-based business potentials across the terrestrial, fresh water, estuarine, and marine and coastal realms, and to contribute to economic growth with local beneficiation, job creation, poverty alleviation, and food security, whilst maintaining the ecological integrity of the biodiversity resource base, for thriving people and nature.

This is an ‘Apple Pie and Motherhood’ statement with which few would disagree.

Page 14: Action 2.1.: Increase the number of Big Five animals available for fair-chase trophy hunting, especially in community owned areas and larger contiguous privately owned land. Expanded fair-chase Big Five-based Trophy Hunting industry with strong global reputation. There are limited wild trophies available, especially of elephant and lion, and there is potential for additional hunting of leopard in a manner that promotes the thriving of the leopard species in the wild with pointed reduction of poaching. Larger, contiguous areas with populations of big five species, including adjacent to Kruger and other PAs, for sustainably harvesting animals to provide for a larger number of high-end trophy hunting packages in a manner compatible with other potential enterprises such as ecotourism. A key element for transformation, but also requiring focused interventions for enhanced global reputation. Opportunities created within the five mega-living landscapes (see Goal 1) will complement this action.

This is a worthy goal which most hunters will support.

Page 14: Action 2.2.: Formalise and expand sustainable recreational hunting, including for traditional use, especially into community owned areas.  Expanded and more inclusive recreational hunting is a key driver of conservation compatible land-use. There is potential for plains game to be introduced to community areas as a basis for ecotourism, recreational hunting, and feeding into the game meat industry, and other value chains. Traditional hunting could transition to recreational hunting, with added value.

The big question here is the sustainability of such ‘recreational’ hunting. In Namibia the relevant Ministry sets annual quotas for hunting off-takes, based on real numbers ascertained by regular counts by trained staff. The word ‘recreational’ may be inadvisable and seized upon by the anti-hunting lobby as something trivial akin to golf or tennis. Maybe ‘conservation hunting’ would be a better term for science-based off-take.

Page 24: Action 10.4.: Develop and implement a strategy for a market for regulated domestic trade in high-end parts and derivates (e.rhino horn and elephant ivory for local value-add enterprises based on processing and use of products. International commercial trade in rhino horn and elephant ivory is currently restricted by CITES. While South Africa may work towards submitting a proposal to CITES once conditions are favourable and the Rhino Commission of Inquiry recommendations have been met, until this is achieved, we should explore domestic options for trade. To maximise the value of domestic trade, i.e. that domestic trade can bring income to support private, community and state conservation land-use, local value-add would need to be developed to such an extent that the sale of derived products can generate sufficient funds. Innovative approaches are needed to identify products, and develop the necessary local markets. For example, health clinics to administer traditional remedies using rhino horn for health tourists from the far East, or ivory carving being done locally for local sale and export for personal use.

This is a welcome shift in thinking by government, and one which perhaps   recognises that CITES bans on trade in rhino horn and elephant ivory have been futile, and have only benefitted the illegal trade to the huge detriment of the animals concerned, with extreme cruelty involved in the killing of rhinos by poachers in particular.

 

The NBES requires extensive revision and reworking before it is worthy of serious consideration. Plans to expand Marine Fisheries are completely out of touch with the fact that these fisheries are already at or exceeding sustainable limits. Similar plans to develop Freshwater Fisheries seem oblivious to the extent of pollution of inland waters and the lack of limnologists and other trained personnel to manage dams and rivers.

 

The architects of the NBES appear to be keyboard warriors with little appreciation of the constraints and vagaries of the real world out there. The sustainability of wildlife populations depends entirely on rainfall, which is highly variable and subject to regular fluctuations between periods of drought and good rains. Contrary to public perceptions promoted by climate activists and biased media, these conditions have little to do with the so-called ‘climate crisis’ and everything to do with natural fluctuations driven by solar energy, ocean currents and sea temperatures, and the resultant effects on the atmosphere and water vapour.

 

The stated goal of numerous (up to 1,000) new commercial plant nurseries on communal land to supply medicinal and horticultural consumers is completely unrealistic against the background of water scarcity and mismanagement in South Africa that leaves many communities without sufficient water for drinking or personal hygiene.

 

My advice is for successful hunting property owners and operators to carry on doing what they do well, cherish and nurture the hunters that come to our country to pursue their passion, and to be models of sustainable wildlife utilisation that can be used by those who are truly interested and dedicated to taking up this form of land-use as a viable option for the future well-being of their communities, families and children. The biodiversity economy is not some low-hanging fruit that is there for the picking by government edict. Successful biodiversity enterprises have been painstakingly built over a long time and through steep learning curves and hard work, not by those mesmerised by computer games, cellphones, artificial intelligence or the fourth industrial revolution.

Dr John Ledger is a past Director of the Endangered Wildlife Trust, now a consultant, writer and teacher on the environment, energy and wildlife. He lives in Johannesburg, South Africa. John.Ledger@wol.co.za

Book Review: Rift Valley Fever

Rift Valley Fever – A British Vet in Africa

After training as a vet in Edinburgh, Hugh Cran set off to Kenya and spent the next 50 years at the sharp end, treating the cattle of Maasai herdsmen, wild animals, the horses and pets of ex-pats and the military and the government, and of everyone in-between. He dealt with creatures great and small, from mice to elephants. Traveling miles on rough roads, performing impromptu surgery by torchlight and with dirty water. Hugh fell in love with the chaotic life and the colourful people he worked for, from dawn to dusk, seven days a week.

 

He married his wife Berna, and all his three daughters were born in Kenya, enjoying an exciting childhood. Hugh is a keen mountaineer and much of his spare time has been spent in the wilds of the Africa he loves.

 

Hugh Cram has an unparalleled personal insight into the vagaries of life as a vet in the tropics. With wit and penetrating perception, he describes and dissects, in this, his third book, life dealing with patients and people he supports every day. This is no pampered-pooch memoir, with affluent clients wheeling in their cuddlies for over-the-top surgery, but a back-to-the-basics epic of toil and trouble in one of the most exciting and stimulating, if at times frustrating and turbulent, countries in the world.

 

To add to this heady mix, the author finds relaxation by pitting himself against the elements, battling his way to the summits of some of the most inhospitable mountains in East Africa.

 

A compelling account of the trials and triumphs of a veterinary life in Africa.

 

Ensure your tipple travels safely with Rigby’s new Whisky Travel Case

There’s now no need to be concerned about your finest malt travelling with you thanks to John Rigby & Co.’s new bespoke leather and walnut whisky travel case. Expertly designed to keep your whisky bottle from smashing in transit, this exceptionally practical accessory is made exclusively for Rigby by Traditional English Guncases (TEG) London, using a fine combination of walnut wood and tanned leather, complete with brass fixtures to give a truly timeless finish.

 

The travel case is partitioned in its base to ensure your valued whisky arrives in one piece no matter how rough the road may be. The handles and locks are made from solid brass that will never rust and are extremely durable to last you a lifetime.

Rigby Art unveils new limited edition wildlife collection

London gunmaker, John Rigby & Co.’s art department, Rigby Art, unveils three new limited edition fine art prints of a caracal wildcat, dik-dik antelope, and klipspringer antelope. Crafted by Rigby artist and engraver, Geoffrey Lignon, each piece showcases the intricate details and primal instincts of the featured animals and are available to purchase exclusively from the Rigby website.

‘Focus’ Limited edition fine art print

 

Immerse yourself in the allure of ‘Focus,’ a limited edition fine art print capturing the essence of the caracal wildcat. Artist Geoffrey Lignon’s distinctive technique, drawing against a black board with a white gel pen and pencils, brings to life the unpredictable and dangerous nature of this stunning creature. Limited to just 25 giclée prints, each A3-sized piece is hand-signed, numbered, and stamped with the Rigby logo in relief. The artwork, priced at £190, offers a unique opportunity to witness the raw intensity of the caracal’s existence.

‘Dik-dik’ Limited edition fine art print

 

Masterfully crafted by Geoffrey Lignon, ‘Dik-dik’ captures the essence of the small antelope with precision and grace. Limited to 25 prints, each A4-sized giclée print is personally hand-signed and numbered by the artist, ensuring exclusivity and authenticity. The unique technique of drawing against a black board with a white gel pen and pencils highlights the remarkable survival instincts of these creatures. Priced at £120, ‘Dik-dik’ is a testament to the harmony between art and nature.

‘Sentinel’ Limited edition fine art print

 

In ‘Sentinel,’ Geoffrey Lignon brilliantly captures the essence of the klipspringer antelope, showcasing its ability to thrive in challenging terrain. Limited to just 25 prints, each A4-sized giclée print is hand-signed, numbered, and stamped with the Rigby logo in relief. The piece highlights the klipspringer’s pointed hooves and spiky fur coat, for which they are well recognised. Priced at £120, ‘Sentinel’ invites art collectors to become a part of Rigby’s legacy.

Discussing his vision behind the new artworks, Rigby artist and engraver, Geoffrey Lignon commented: “With this collection, I aimed to delve into the raw beauty of these remarkable creatures, bringing their primal instincts and unique features to the forefront. Each piece tells a story of survival, grace, and the delicate balance between predator and prey.”

 

Each artwork comes with a certificate of authenticity and is available to purchase from the Rigby website. By purchasing any piece of Rigby Art, your name is entered into the hallowed Rigby ledger books, just like buying a Rigby gun.

Justin Prigmore unveils Big Five at DSCC

Award-winning, Scottish-based artist Justin Prigmore unveiled new original works and paint live at the John Rigby & Co. booth #4125 at the 2024 Dallas Safari Club (DSC) Convention. The four new works are all original oil paintings on Belgian linen and have been painted by Justin for Rigby Art. The paintings are depictions of the legendary ‘Big Five’ – lion, leopard, rhinoceros, elephant and buffalo.

 

Justin also painted live at the Rigby booth throughout the event, working on the final piece of the collection depicting two buffalo bulls.

‘The Warrior’

 

An impressive 40×40-inch oil original painting on Belgian linen that depicts the sheer power of a male lion in his prime. The whole composition is designed to position the lion as undisputed ruler of his kingdom and emphasise his immense power. The horizon is low, and a herd of buffalo lurking in the background is small in comparison, but acutely aware of the lion’s presence. A moody, lively sky enhances the drama of the scene; the warrior is on the move, and everyone knows about it.

 

Retail: $18,500 USD (£15,000 GBP)

‘Silent Intent’

 

An evocative 24×36-inch original oil on Belgian linen. Justin has captured the moment a spectacular female leopard locks her gaze onto the prey that might just become her next meal. Recreated in extraordinary detail, the leopard’s presence fills the canvas as she seems ready to spring out of the frame to begin the chase.

 

Retail: $10,500 USD (£8,000 GBP)

‘Moving Through’

 

A beautiful 24×36-inch original oil painting on Belgian linen. Justin depicts a family group of elephants as they travel across the watery grasslands of the vast Okavango Delta in Botswana. The artist includes several egrets, constant companions to African elephants, a detail that gives the painting a marvellous feeling of movement.

 

Retail: $10,500 USD (£8,000 GBP)

‘Close Protection’

 

A female black rhino she defends her calf. A 24×36-inch original oil painting on Belgian linen, this evocative piece puts the viewer front and centre as this magnificent animal kicks up dust and fixes her eyes on the threat as oxpeckers take to the sky in alarm.

 

Retail: $10,500 USD (£8,000 GBP)

Rigby Art launched limited edition canvas prints of Justin’s work ‘Border Patrol’ at the booth. This is the first time that prints of this spectacular oil painting were available for viewing and purchase. The painting captures a dominant male lion as he patrols the perimeter of his pride’s territory. A herd of zebra and scattered wildebeest mill in the background, keeping a closer eye on a predator in his prime.

 

A standard edition (limited to 50 prints) is 25×40 inches. The deluxe edition (limited to just 10 prints), is 30×48 inches.

Classic and Contemporary African Hunting Literature

Hunting

On Safari in East and Southern Africa

Aubrey Wynne-Jones (Macmillan South Africa Ltd., 1980, 180 pages)
Reviewed by Ken Bailey

 

 

Like many others, early on I read the books of Capstick, Ruark and Hunter, dreaming of the day I could live out my own African hunting adventure. As that dream neared reality, I went looking for books that were less adventure-oriented and more instructive. It was 1986, and where I lived, in Edmonton, Alberta, with no internet and few resources available, I stumbled across this title and had my local bookstore bring in a copy. The price tag is still on it, $41.95, a princely sum for a book in those days. But Wynne-Jones’ book provided me with useful advice as I planned my safari, and much of it still holds up today.

 

The first section provides a ton of practical information; some is targeted to the visiting hunter, while other sections pertain more to the DIY hunter. The latter includes recommendations for camp gear, set-up and location, food and beverage suggestions, tracking tips, and advice on emergency and game extraction equipment to carry in your vehicle. Of course, these activities are largely handled by PHs and their teams for the vast majority of us today; DIY is restricted to local residents as far as I know.

 

The book’s section on rifle, cartridge and optics recommendations for the various species has been duplicated and bested in any number of books dedicated to these topics, before and since. Some of what’s here, particularly the optics section, is outdated, and several of today’s popular cartridges hadn’t been developed when this book was written. Still, the suggestions provided are meaningful and will resonate with many hunters, especially those who still prefer a .270 Win. to one of the many new 6.5s or .277s on the market.

 

There’s a short section on bullet placement that focusses on the big five, a brief chapter on bird hunting, and a detailed listing of Rowland Ward’s minimum trophy standards for nearly every imaginable species of game, along with detailed instructions, complete with accurate sketches, as to how each species is to be measured. As an Appendix to the book, there’s also detailed instructions and minimum scores for the SCI scoring method—my book is the 2nd edition, printed in 1982; I’m not certain if the first edition includes the SCI information or whether it was added as an Appendix in subsequent printings only.

 

The largest section of this book dedicates a couple pages or more to every popular, and some not so popular, game species. Each is broken down into subsections—species identification (including height, weight, color, horn description, etc.), preferred habitat and basic behaviour, the regions where the best trophies have been taken (including maps), and a short section revealing some basic hunting tips. Each species page is also beautifully illustrated by South African artist André de Villiers. Interestingly, this section in my copy of the book still has my pencil notations on several pages, remnants from me attempting to narrow down my “want and can afford” list as I planned my first safari.

 

It’s fair to say that there have been several books published that offer advice for planning your safari that are more complete or more up-to-date than this one, including significantly greater information on the landscapes, hunting conditions and game animals you can expect to encounter—Mellon’s African Hunter and African Hunter II edited by Boddington and Flack immediately come to mind. Still, Wynne-Jones’ Hunting—On Safari in East and Southern Africa is an eminently readable book that is well-thought out and contains an immense amount of information that’s as accurate and useful today as it was when it was written.