Rigby’s Trafalgar: 250 Years Celebrated Aboard Historic Warships

In the storied annals of British gunmaking, certain evenings stand apart as a defining moment that captures not merely a celebration of heritage, but the vibrant promise of a tradition reborn. The recent 250th anniversary celebrations of John Rigby & Co., held aboard HMS Victory and HMS Warrior in Portsmouth Historic Dockyard, constituted precisely such an occasion, a magnificent testament to a company that has not only survived two and a half centuries but has emerged from periods of uncertainty to reclaim its position at the pinnacle of global gunmaking.

 

The evening of May 16th, 2025, saw an impressive gathering of the international hunting and shooting fraternity against the backdrop of a perfect English spring evening, with clear skies and a gentle breeze setting an auspicious tone for the celebrations. Notable attendees included America’s first son, Donald Trump Jr., Nigel Farage MP and several Middle Eastern dignitaries including two Crown Princes. The guest list read like a who’s who of the gun and hunting world, with representatives from premier gunmaking houses across Britain and Europe, alongside celebrated gun writers and correspondents from publications spanning five continents.

 

Managing Director Marc Newton, the visionary who has helmed Rigby’s remarkable resurgence over the past twelve years, welcomed guests to the event beneath the shadow of HMS Victory, a vessel that shares the date it was ordered by the Royal Navy with the births of Rigby’s founder, John Rigby and Lord Admiral Nelson, all three in the same year of 1758. This poignant connection between three enduring British treasures set the tone for an evening choreographed with military precision, yet infused with the warmth and camaraderie that has characterised the Rigby experience throughout its history.

 

“Twelve years ago, Rigby in the UK was nothing more than some ideas in my head and a box of papers in my car,” Newton told the 250 assembled guests below whilst standing upon the poop deck of HMS Victory, his voice momentarily catching with emotion. “To see it now, to see all of you here, not as a group of individuals, but as one unified Rigby family, is without question the proudest moment of my professional career.”

The evening commenced with a tour of HMS Victory, Nelson’s flagship at the Battle of Trafalgar, where Rigby craftsmen and women demonstrated traditional gunmaking techniques amidst the atmospheric surroundings of the low oak-beamed gun decks. Visitors marveled as master engravers, stockers, and action filers practiced their art in the same candlelit conditions that would have illuminated Nelson’s quarters, creating a tangible link between past and present expressions of British craftsmanship.

 

At precisely 7:30 pm, one of the evening’s most emblematic moments unfolded as Melissa Rigby, a direct descendant of founder John Rigby, proudly carried the company’s banner at the head of a spectacular procession. She was followed by the Waterloo Band and Bugles of the 7th Battalion The Rifles and the Pipes and Drums of the London Scottish Regiment, with the specially commissioned “John Rigby’s Gunmakers March” filling the evening air. Composed by Pipe Major John Calum MacKenzie, this stirring piece celebrated “the craft of gunmaking and the pride Rigby has in continuing the long line of tradition, whilst striving for betterment and progression in the industry.”

The transition from Victory to Warrior represented Rigby’s evolution through the Victorian era, a period that saw the company develop some of its most iconic firearms innovations. These included the famous Rising Bite action that continues to inspire awe among hunters and collectors today and the indomitable .416 Rigby cartridge.

 

The evening’s program unfolded with characteristic Rigby panache, each element meticulously planned to balance historical reverence with forward-looking optimism. A Spitfire display represented another apex of British engineering excellence, not one but two of these iconic fighter’s graceful elliptical wings and thunderous Merlin engines providing a perfect aerial complement to the naval setting below, bathed in evening sunlight.

 

Throughout the event, The Company of Pikemen and Musketeers of the Honourable Artillery Company, dressed and equipped as they would have been in the 17th and 18th centuries, provided a living tableau of the martial traditions that influenced early gunmaking. Their presence offered guests a window into the era of Rigby’s founding, creating a seamless connection between the company’s origins and its present.

 

Newton’s speech aboard HMS Warrior elegantly connected Rigby’s Victorian-era innovations with Britain’s role in shaping the modern world. “No country on earth has shaped the modern world quite like Britain has,” he observed, “with the Victorians spearheading this remarkable period of human advancement.”

 

The dinner service aboard Warrior’s gun deck was a masterclass in quality British fare, featuring new English asparagus with Dorset crab, braised wild fallow shank and a prune and Armagnac Bakewell tart, all paired with exquisite wine. Even here, the connection to authentic British tradition was unmistakable, with dishes that honoured both naval and hunting heritage washed down with some quality left bank claret, for good measure.

 

John Henderson, recently appointed as Managing Director of Holland & Holland, commented: “The Rigby journey has been a very impressive one. Being friends with Marc Newton for several years now, it is not surprising to see what he and the whole Rigby team have achieved, in the successful turnaround of their iconic British brand. Being brave, creative and hard working is no doubt a huge part of this success story.”

Earlier that week, Rigby hosted three exclusive VIP banquets in Nelson’s cabin aboard HMS Victory, where celebrated Michelin-starred game chef Mike Robinson served five sumptuous courses as the company unveiled its Victory Edition rifles. These unique masterpieces incorporate oak reclaimed from the oldest sections of HMS Victory whilst undergoing restoration. In the spirit of Rigby boyish fun, the theatrical ordering process became a spectacle unto itself. Each order was confirmed and celebrated as the customer shouted “Fire!” through Nelson’s cabin window to Lieutenant Colonel Simon West, who stood ready with a period cannon below. The resulting blasts proved so enthusiastic and numerous that the police on the naval base eventually halted proceedings at 11pm on the first night after receiving noise complaints from as far away as Southampton.

“The oak ‘V’ for ‘Victory’ you see inlaid by hand into the forend once formed part of this historic vessel,” Newton revealed to his inner sanctum of Rigby customers. “It has absorbed the footfalls of Admiral Lord Nelson, weathered fierce Atlantic gales, and trembled with the thunder of cannon fire that changed the course of nations.”

 

This masterstroke of brand alignment, connecting Rigby with perhaps the most iconic vessel in British naval history, exemplifies the company’s genius for blending heritage with innovation. Five percent of proceeds from each Victory Edition rifle will support Victory’s ongoing restoration, creating a virtuous circle between these two legendary institutions forever.

 

Donald Trump Jr., a notable hunter and Rigby owner, was among the first to place an order and fire the cannon to confirm a Victory Edition. “What Rigby has accomplished this week isn’t just about celebrating history, it’s about making history,” he commented.

 

On the Friday night celebrations, Nigel Farage told the MailOnline: “Don Jnr is a Rigby customer, a great British firm celebrating their 250th anniversary. I support manufacturing excellence.”

 

What is perhaps most prodigious about the evening’s gathering, and indeed Rigby’s broader renaissance, is the attention the company has attracted to British gunmaking as a whole. The presence of global political figures, business leaders and heads of state from multiple nations represents a significant shift in how traditional gunmaking is perceived in the contemporary public eye. Rather than being relegated to museums or the nostalgic reminiscences of aging enthusiasts, Rigby has successfully positioned fine gunmaking and adventure as a living, thriving art form worthy of recognition at the highest levels of international society.

 

“What we’re witnessing is nothing short of a coup for the entire British gun trade,” observed Paul Roberts, former owner of Rigby and a veteran of the British gun trade. “When Crown Princes and political figures from across the globe travel to celebrate a gunmaker’s anniversary, they’re not just honoring Rigby, they’re elevating the perception of our entire industry. This kind of visibility creates a rising tide to lift all ships.”

 

The recognition from such prominent figures sends a powerful message about the cultural and economic significance of traditional gunmaking in modern Britain. In an era when much manufacturing has been outsourced to cheaper labor markets, Rigby’s success demonstrates that there remains substantial demand for authentically British-made guns of exceptional quality, a message that resonates far beyond the gun trade itself. Several attendees from adjacent luxury industries, including yacht building, watchmaking and bespoke tailoring, noted that Rigby’s example provides a blueprint for preserving and promoting traditional British craftsmanship on the global stage.

 

Throughout the evening, conservation emerged hand in hand with gunmaking as a central theme, reflecting Rigby’s long-standing commitment to wildlife preservation. Newton spoke eloquently about the company’s contributions to conservation initiatives worldwide, noting that over the past decade, Rigby has channeled more than one million dollars of its own funds into vital conservation projects across the globe.

 

This commitment was further exemplified in the evening’s gifts to guests, 250 unique bracelets crafted from melted-down snares recovered from African bushland. Created in partnership with Blood Origins, these Rigby branded mementos transformed implements of destruction into symbols of conservation, with proceeds supporting anti-poaching initiatives worldwide.

 

For many attendees, the celebrations marked the culmination of Rigby’s extraordinary comeback story, a narrative chronicled in the newly released book “Rigby Resurrection” by Newton and firearms historian Diggory Hadoke. Limited to 1,000 numbered copies, the 350-page tome documents the company’s journey from near-extinction to its current status as Britain’s most prolific creator of Best guns and rifles.

 

It was clear on this special evening that Rigby has achieved something remarkable in not merely surviving but thriving in an era when traditional craftsmanship faces unprecedented challenges. The company now employs more gunmakers than at any point in its history, with production levels that would have been unimaginable a decade ago, all while maintaining the exacting standards that define a true “Best” gun.

Following an after dinner speech given by The Right Honourable The Earl of Yarmouth, the evening built toward its spectacular conclusion. Guests were ushered to the upper deck of HMS Warrior where the night sky awaited transformation. The air was filled with the stirring sounds of traditional Scottish pieces including “Highland Cathedral” and “79th Farewell to Gibraltar” performed by the Pipes and Drums of the London Scottish Regiment in their distinctive Hodden Grey tartan.

 

The musical program culminated in a stirring rendition of Tchaikovsky’s “1812 Overture” , a piece that could not have found a more fitting setting than aboard a historic warship of the same era. In a display of coordinated precision, the climactic cannon fire in the score was provided by actual artillery pieces operated by The Garrison Artillery Volunteers, while members of the Honourable Artillery Company’s Pikemen and Musketeers discharged period-accurate muskets from a flying bridge over the deck in perfect time with the music.

This spectacle served as the prelude to a firework display of such magnificent scale that, according to local reports, it was visible across much of Hampshire. Against the backdrop of Portsmouth Harbour, illuminated rockets and cascades of golden light and Rigby blue reflected off the water’s surface, creating an ephemeral cathedral of fire and light that served as a fitting tribute to a company whose own creations have always balanced artistry with function.

 

As the final embers of the fireworks faded into the night sky, the assembled guests were left with a sense that they had witnessed not merely a celebration of the past, but a bold statement about the

future of British gunmaking. In an age of increasing automation and declining appreciation for traditional craftsmanship, Rigby stands as a beacon of excellence, proof that the values that built Britain’s reputation for manufacturing superiority remain not just relevant but vital. This evening transcended merely gunmaking and was truly a celebration of British craftsmanship, export, engineering and success.

 

“This celebration marks not just our past, but the beginning of our next chapter,” Newton told guests in his closing remarks. “To everyone who has contributed to making Rigby what it is today and what it will become tomorrow – thank you.”

 

What makes Rigby’s achievement particularly noteworthy is that it represents not a nostalgic recreation of past glories, but a vibrant, forward-looking enterprise that has reimagined the very concept of a British gunmaking house for the 21st century. While competitors have often defaulted to ever-decreasing production and ever-increasing prices, Rigby has pursued a more ambitious path, expanding its model range, investing in apprenticeships and embracing modern marketing with the help of world renowned communications agency Tweed Media. Rigby has now cultivated a global community of enthusiasts who see themselves as part of the “Rigby family.”

 

As the evening drew to a close with the haunting notes of a lone piper echoing across the historic dockyard, one could not help but feel that Rigby has accomplished something extraordinary, not merely surviving for 250 years, but emerging from recent decades of uncertainty to establish itself as the pre-eminent Best gunmaker in the world. The night’s celebrations didn’t just honor a historic milestone; they declared in spectacular fashion that for British gunmaking, the golden age need not be confined to the past.

 

Those fortunate enough to witness this remarkable event departed with the understanding that they had participated in a defining moment for the British gun trade, one that positions Rigby not just as a custodian of tradition, but as a standard-bearer for a vibrant and sustainable future where craftsmanship, innovation and its people continue to flourish. The so-called “good old days” of British gunmaking may be fondly remembered, but as Rigby demonstrated with unmistakable clarity, the best days may still lie ahead.

One for the Road

Masailand, 2006.  A scene that could have occurred in 1906, or 1806, or… But memories are more real than any photograph.

By Terry Wieland

 

Dreaming, Remembering, Reliving

 

Three levels of fantasy

 

In a column for Esquire in 1935, called “Monologue to the Maestro: A High Seas Letter,” Ernest Hemingway reflected on the mechanics of writing and, in particular, how to recreate action so as to have your reader experience it as you did.

 

The key, he told the Maestro— “Mice,” for short, a young man who’d traveled to Key West to seek advice from the master—is to relive the event, isolate the specific thing that caused your emotion and, if you then describe it truly enough, you will evoke the same emotion in your reader.  Hemingway’s example was watching the fishing line strip as a big fish ran, and the line rising into the air and squeezing out the water so it hung in drops, refracting the sunlight.

 

I read that first in 1977—I can remember exactly where and when, but I won’t belabor it—and took it to heart as I attempted to write serious literature in the years that followed.  First, I learned that reliving, and simply remembering, are two different things.  Those who relive and then recreate, on paper, are a world away from those who merely remember and describe.

 

For the record, the former is exhausting.  At the end of a morning, you may be completely wrung out and have one short paragraph to show for it. The latter is considerably less taxing, depending on the writer’s determination to do it well, which is why we have good writers, bad writers, and those who should never touch a keyboard.

 

In 1988, I hunted Alaska brown bears on Montague Island and, some months later, attempted to recreate the incident in a magazine article.  It entailed less than 60 seconds of action as the bear came in fast, responding to a deer call, and finally dropped, five shots later, with its neck broken.  In attempting to relive that event, I learned that one can, through a process almost of self-hypnosis, relive something but (in my case at least) one can do it only three times.  After the third time, it becomes merely remembering.

 

Something similar occurred, attempting to relive a very hot few moments with a Cape buffalo high on Mount Longido in 1993.

 

Sometime in the early 1970s, Gene Hill, who wrote for Guns & Ammo and later for Field & Stream, made a safari in Kenya.  He loved Africa, and after he got home he kept his bags still partly packed with his Africa gear, just in case he got a last-minute invitation to return.  This remained in his closet until after Kenya closed hunting in 1977 and he knew he would never go back—not, at least, to the places he’d been and remembered with a fondness so fierce it resembled Humbert Humbert’s feelings for Lolita.

 

Hill, an extremely gifted writer, wrote about finally unpacking his things, surrendering to the reality that the dream could never come true.  Not now.  The Kenya he’d hunted, and experienced, and grown to love, was gone.  All he had left were dreams.  At least, he called them dreams.

 

Reading that piece, now almost 50 years later, I began reflecting on the difference between dreams—anticipation of things that may never come—and memories—recollection of things that really happened.  And, finally, the reliving of an event the way Hemingway described it.

 

As age has crept up on me, I find myself, usually in the early afternoon, feeling the need to sprawl in a nice chair and close my eyes, just for a bit.  Very rarely do I actually fall asleep, so this hardly qualifies as the much-storied “nap.”  I do, however, descend the cosmic stairs toward nap-dom, one step at a time, and occasionally enter a realm, in the infinitesimal interface between sleeping and waking, that is like time travel.

 

It’s not a dream and it’s never long; it’s a snatch, a snippet—a glimpse at a real place, that I really experienced, years before.  The glimpse is brief, but so intense as to be almost painful.  The water of the lake is real water, the smell of the juniper is real, and the ferns in the hot sun.  Rarely is there any action, just a vivid image lasting only seconds, after which I always jerk back to consciousness, and I am often panting.

 

Never having been hypnotized, I can’t say if this is similar.  From what I’ve read, it appears to be.  Sometimes I can sort of will it to happen, but more often as I drift off my mind wanders and suddenly, there I am—in a tent in Africa in the early morning, with the ever-present cooing of doves, or walking into a biltong shop in Pretoria and smelling the droewors.  And the smell of treated canvas, like old tents?  Back in the army, back in a campground at the age of eight, back in the Okavango.  Could be any of them.  Ah, but that old canvas smell!

 

Sometimes it can be sparked by a whiff of gunpowder or, more usually, a spice.  The merest sniff of cumin and other, mysterious, spices can put me back in the open market in Kampala in 1971— a world that has truly disappeared—and the smell of creosote, well, we won’t go into that.  But if you can’t imagine creosote as an aphrodisiac, think again.

 

The most famous instance of this phenomenon in literature is Marcel Proust and his taste of a madeleine cake dipped in lime tea that brought forth all the memories recounted in Remembrance of Things Past—all seven wondrous volumes—and in the outdoor field, closer to home, Robert Ruark’s The Old Man and the Boy series in Field & Stream in the 1950s.

 

Memories sparked by an aroma are, of course, a different thing than the deliberate drawing of one’s self back into an event in order to isolate the emotional center, à la Hemingway.  In that case, I found, if you do it only twice, leaving the third and last time for a later date, then you always have it, like a diamond tucked away for safe keeping.  It’s always available to be taken out and relived, but you never do it, because then you wouldn’t have it anymore.

 

This is, I know, a long way from Gene Hill’s Field & Stream column about dreaming of Africa, and remembering, and—in his case—regretting that which once was and would never be again.

 

The truth is, and I hate having to quote Thomas Wolfe, who wrote only one memorable thing in his word-drenched life, and that a title, but you can’t go home again.  No, really, you can’t.  Many have tried, and maybe that’s why children today never want to leave home in the first place.  But once gone, we quickly learn that what we left ceased to exist the moment we left it.

 

My Kampala of 1971, or Nairobi of 1972, or even, most recently, 1999.  The Okavango in 1990?  The Rift in 2006?  Gawd, I even remember when downtown Johannesburg was a pleasant place, and the Carlton Hotel in the center of town, with its pinball arcade in the bottom floor, attracted the little black African kids off the street, and they would challenge us to pinball matches and always win.  They were pinball wizards worthy of The Who, and I learned a few words of Xhosa and Zulu, long since buried, and I wonder where they are now?

 

One time, I caught a whiff of woodsmoke and was instantly transported to a campfire outside Gaborone, grilling mutton on sticks.  I want to say the wood then was acacia, and there are varieties of acacia in America, so the firewood must have been some of that.  Where it came from I have no idea, and it passed as quickly as it came.  More’s the pity.

 

Speaking of wood, sand a piece of walnut and you’ll find me back in my parents’ basement in the 1960s, refinishing the stock on a Cooey .22.  Or melt some linotype for bullets and I’ll be in the composing room of the newspaper where I started out way back when, and everything will be bright in spring and everything will be possible, because that’s the way it is when you’re 19.

 

They say your sense of smell is the strongest link to memory, and I have found nothing to dispute that.  Hearing—music—is a distant second, while sight and touch do not figure at all.

 

What I’ve learned from all this is that our memories long outlast even the most pleasurable experience.  They are a world, however, that most people never bother to really, truly, explore.  Which is unfortunate cuz, I hate to tell you, eventually that’s all you’ll have, and a little practice ahead of time never hurts.  It’s all I have left of the Africa I knew.

One for the Road

By Terry Wieland

 

But what about snakes?

 

What about them?

 

It’s been a while since I wrote anything about snakes and, to be honest, I haven’t missed it.  Writing about snakes requires thinking about snakes and not being a snake guy, my mind prefers to dwell upon such burning questions as “Is a Mauser 98 better than a pre-64?” and “Rigby double, or Westley Richards?”  Hmmm.

 

But, the other day, the question came up yet again when, talking about Africa, my interlocutor fixed me with that familiar anxious look and asked, “But what about snakes?”

 

Snakes?  What snakes?  We were talking about living in a tent versus a house with walls and a door, and how sleeping in the open, under the stars, is preferable even to a tent.  No snakes involved.

 

“I thought there were always snakes,” she said.  “How do you keep them out of the tents?”

 

That’s a hard question to answer because it presumes that snakes are always trying to get into tents, surrounding them in the night, slithering about, probing for openings.  Such is not, in my experience anyway, the case.

 

But it brought to mind a tale I read when I was a child, about an expedition somewhere in South America.  The members had been together a long time, were thoroughly sick of one another and barely speaking.  As a result, they neglected basic camp chores like clearing all the grass away around the campfire— a measure to deter rodents and, hence, snakes.  During the night, a snake came through the grass, slithered into a sleeping bag, and curled up on the stomach of the sleeping man.

 

To cut a rather frightening story short, he remained motionless and terrified throughout the night, and they were only able to persuade the snake to leave quietly the next day by taking away all shade and leaving man, sleeping bag, and serpent to slowly roast through the heat of the day.  Finally, hot and annoyed, the snake slithered out past his head—it was a bushmaster, and truly deadly—and was hacked to death with machetes.

 

That is one of the two childhood experiences to which I can trace my herpetophobia.  Reading that story, in the Reader’s Digest, when I was seven or eight, came after my first encounter with a snake wherein, around the age of five, I was walking down a trail and stepped on a garter snake under some leaves.  It writhed up around my ankle, I ran home screaming, and that was that:  Herpetophobe to this day.

 

Well, maybe not quite a ‘phobe’.  In the interests of journalistic accuracy, I looked up the definition and find that I’m on the cusp between actual phobia and mere fear and dislike.  I don’t like looking at photos of snakes, but I don’t break out in a cold sweat, have a panic attack, and refuse to leave the house for a week.

 

Given that attitude, though, you would think snakes would have been uppermost in my mind when I first thought of going to Africa, but they never were.  It may be because none of the African writers who dominated my teenage years—Robert Ruark especially, but also John Taylor and Stuart Cloete—dwelt on snakes at any length.  (It was years later that I read Cloete’s novel, Mamba.  Thank the Lord.)

 

Uganda is not what you would call a snake paradise, but it has enough of them.  Mambas, cobras, that kind of thing.  Pythons.  But it was three months after I first set foot on the tarmac at Entebbe Airport that I encountered my first snake, and that was in a guerrilla camp in the southern Sudan.  It was a green mamba, and it was dangling from a branch above a waterhole where we were having our first bath in a week.  It was, I suspect, just curious, because it turned and climbed back into the foliage, leaving us to lather and rinse.  The Anyanya with the Lee-Enfield just grinned and shrugged.

 

That was in 1971.  I didn’t encounter my next African snake until 1990, and that was after two more trips to Africa that had taken me to Kenya, Uganda again, South Africa, South-West Africa (now Namibia), and Rhodesia (now Zimbabwe).  In 1990, in Tanzania, we were driving along a mountain track on the edge of the Rift, came around a bend, and there was a python curled up in the rocks.  We stopped and looked.  It raised its head and gave us that cool python stare.  We stared back, then decided it was up to us to move along, so we did.  I can’t say I shrugged, but at least I didn’t leap in the back and cover my head with a blanket or reach for the .450.

 

I’ve written this before, but if you are snake-sensitive, it’s a good idea to find out how your professional hunter feels about reptiles before you sign the cheque.  Most are indifferent, feeling about snakes the way most of us feel about poison ivy—best avoided but not life-threatening.  Others, however, mercifully rare, actually like snakes—like them—and want to introduce the rest of us to the joy of communing with serpents.

 

One such is Chris Dandridge, son of Darryl Dandridge, who was a noted snake admirer.  One time, reportedly, Darryl bet that he could stay in a large cage full of venomous snakes, naked, for a week.  He did and survived.  Or so I’m told.  Chris grew up with snakes.  We were wending our way north into Kwando one time, looking for a campsite.  No tents, sleeping under the stars, but this was something I’d grown to enjoy, memories of the bushmaster and the sleeping bag notwithstanding.

 

There was a clearing with a big old tree at the edge, which had a cavernous hole near the base.

 

“Better not here,” Chris said.  “There’s a black mamba that lives in that tree.”

 

A PH who knows the home address of a mamba?  At least he didn’t suggest we stop in for tea.

 

For various reasons, mambas seem to grip the imagination of African visitors more than any other snake.  Undoubtedly, they are dangerous.  According to the charts, their venom is right up there, they have the longest fangs and can inject the most venom, they can climb trees like a monkey and are so fast they can overtake a running horse.  Or so I’ve read.  Other accounts dispute the speed, and some insist they are not as aggressive as their reputation would have us believe.

 

My feeling is that if they are only half as fast, half as deadly, and as laid back as a hippie on weed, I’d still rather avoid them.

 

I have one black mamba story that various witnesses swear is true.  In the early 90s, the editor of Outdoor Life, a noted herpetophobe, was on safari in the Okavango.  He woke up in the night to the sound of scurrying, but it stopped, and he thought nothing more of it.  They went out hunting the next morning and returned to camp around noon.  He went into his tent and out the back into the attached lavatory.  There, coming in through the shower’s drain, was a black mamba.

 

Our hero went screaming out the front, the mamba continued on into the shower—he had no choice— then turned and slithered out the way he’d come.  The PH gathered some folks and beat through the bush behind, flushed the mamba, and killed it.

 

They pieced it together afterwards and concluded the mamba had been in the tent the night before and caught the scurrying mouse, pursuing it under the bed, up onto the chair, and so on.  Our man packed his bag and was at the airport in Maun by nightfall.

 

That story went the rounds of hunting and shooting writers for years thereafter, and while we all laughed, we all secretly wondered what we would have done under the same circumstances.  I can guarantee you, for a few nights at least, I would not have slept well.

One for the Road

Superb trackers and valued friends, from left:  Lekina Sandeti, Momella Torongoi, and Abedi Shimba.  Lekina and Momella are both Masai.  Abedi, who died a few years ago, was part-Bushman, and taught both Roger and Derek Hurt about tracking and bushcraft from an early age.

By Terry Wieland

 

Hurry, Hurry! Shoot! SHOOT!” 

 

(And other helpful comments) 

 

Towards the end of his career in Africa, Robert Ruark had one particular tracker named Metheke without whom, he wrote, “I feel naked in the bush.”  He does not make it clear exactly who Metheke worked for when Ruark was not around.  Presumably, it was one of the Ker & Downey professional hunters, but Metheke always seemed able to detach himself to accompany Ruark, no matter who he was hunting with at the time.  Or so Ruark would have us believe.  He was Man Friday to Ruark’s Robinson Crusoe.

 

Ruark was very adept at creating ideal situations that embed themselves in your mind, making you seek out such perfection on every hunting trip henceforth.  Alas, perfection in hunting — and especially in hunting companions — is a very scarce commodity.  On rare occasions I have met trackers in Africa who compare favorably with the sainted Metheke.  Lekina Sandeti, a Masai who works for Robin Hurt in Tanzania, is one.  Cuno, who worked for Chris Dandridge in Botswana, is another; I never did know Cuno’s surname.  Nor did I know Charles’s surname, who was Clive Eaton’s tracker and always dressed in a shirt and hat more in keeping with a beach in Hawaii than on the track of a Cape buffalo.  His attire belied his ability, however, which was second to none when it came to finding game and tracking it.

 

Books and stories from old Africa often depicted trackers and gun bearers in less than flattering terms.  Some were outright racist to a point which, in this day and age, causes even the most non-politically-correct to cringe.  Even those who purported to like and respect the safari staff were often condescending in their treatment of native people and their foibles.  Most wrote about their trackers the way a wingshooter writes about a particularly gifted bird dog.  Ruark, I hasten to add, did like and respect them.  At times he was critical, but never condescending.

 

I don’t claim to be any less inherently racist — or at least, race-conscious — than other men of my age and background, but I have always tried to write about Lekina, Cuno, Charles, and the others in the same terms I wrote about the white professionals who headed up safaris.  Perhaps this is because, 20 years before I ever went on safari in Africa, I went there as a freelance foreign correspondent and spent long periods living in grass huts, mud huts, and, on occasion, refugee and guerrilla camps.  (Grass huts, by the way, are the most comfortable, and you become fond of the lizards that scurry around.)

 

In the course of that and later such expeditions, I learned enough Swahili to get by, or at least enough to show the trackers I was making the attempt, and this always seemed to put them on my side.  Earning the respect of your trackers is, of course, the best case.  Failing that, not incurring their enmity is something to be desired.  One time, I was told about a client in Botswana, hunting with some Bushmen, who made the mistake of treating them badly, constantly denigrating them and generally being a boor.  It has been my experience that people respond in kind, and that a little politeness goes a long way.  At any rate, the Bushmen determined on some revenge.  Knowing they could go long periods without water, while the fat American needed a drink every fifteen minutes, they took him out one morning and did a long, looping circle under the hot sun, with no water.  Hours later, dehydrated, hallucinatory, and almost dead with fatigue, they delivered him back to camp.  I don’t know whether he changed his ways, but the guides certainly got a bit of their own back.

 

Sometimes it’s not a matter of respect, mutual or otherwise, but simply competence.  For every superb Lekina or Cuno, I have met trackers and other staff that seem to have been hired at short notice out of the local saloon, and have no more idea about hunting than if they’d been hired to teach quantum physics.  One time, I was trying to locate a wounded wildebeest in the thick bush of Natal.  With no tracks or blood trail, going back the next day to search for it was like looking for the proverbial needle, but we had to try.

 

We split up, with the PH and one tracker going one way, and a tracker and me going the other.  By some miracle, a lone wildebeest bull appeared on an open slope about 200 yards distant.  We had no shooting sticks, and no convenient tree.  I was studying the bull in my binoculars while the tracker gesticulated wildly, insisting it was the wounded animal.  My only chance was an offhand shot.

 

“Hurry!” he shouted.  “Shoot!  Shoot!”

 

Already out of breath, nervous, I tried to place the dancing crosshairs somewhere near the shoulder, and yanked the trigger with predictable results.  The bull melted into the undergrowth.  My guide looked at me, practically in tears.  “Why you not shoot?” he asked, obviously thinking that killing an animal with a rifle required nothing more than pointing it in more or less the right direction and pulling the trigger.  The wounded bull — if it was our bull — was gone, then and for all time.  I should add that it was a hell of a head.

 

Guides like that make you even more nervous and likely to miss.  Others, like Lekina, know that their own chances of survival go up considerably if they keep you calm in a tight situation, and try to make things easier rather than harder.  Shouting “Shoot, shoot!” when the client is either not ready, or not in a good position to do so, accomplishes all the wrong things.

 

I’ve heard of, although I’ve never experienced, the extreme case of a guide running on ahead to try to spot a wounded animal, and then turning around and shouting to the hunter to “Shoot!” when he can’t even see it from where he is.  And, naturally, the shout then spooks the beast to make tracks.

 

On my first safari in Botswana, my professional hunter was a Tswana by the name of Patrick Mmalane, a Sandhurst graduate and captain in the Botswana Defence Force.  He had signed on as a professional hunter with Safari South.  Naturally, he being black as the ace of spades, I insisted on referring to him as my “white hunter,” which caused great mirth among the trackers.  Since Patrick and I both held the Queen’s Commission, we declared our end of the dining table to be the officers’ mess.  We became quite good friends, and I went back the following year for a four-week odyssey wherein we drove around Botswana, wingshooting, seeing the sights, and setting a number of local beer-drinking records.

 

Patrick eventually left hunting and rejoined the BDF, and the last I heard he was a lieutenant-colonel.  I mention all this because it was interesting to see his relationship with our trackers.  They were Bushmen, in whole or in part, and as at home in the bush as Patrick and I were on a drill square.  While Patrick was good with a rifle, and held command in an easy grip, he was not a tracker, and game spotting was not his long suit.  The trackers treated him with the same somewhat bemused respect that an experienced sergeant-major accords to a newly appointed young officer.

 

In the end, we all proved ourselves to each other — and earned whatever respect we had — through our own abilities, and by the end of the week, one Cape buffalo bull and several lesser species later, we all got along with a kind of easy familiarity.  Everyone did his job, no one screwed up, and we had a pretty happy ship.

 

It would be nice to be able to say that eventually I ended up with one tracker who did for me what Metheke did for Ruark, but those were other days.  A tracker/gun bearer/factotum of the Metheke stamp is either a distant memory or, more likely, an ideal that never really existed — certainly not for visiting client-hunters like Ruark, or me.

 

One of my most treasured memories of hunting in Africa, however, is when, on my second safari with him, Lekina Sandeti invited me to be a guest in his hut, and to drink a cup of the buttermilk-like concoction that is a staple of Masai life.  This was, I was told by my PH, a great honor.  Whether Metheke ever did the same for Robert Ruark, I don’t know.  As I say, those were different times.

One for the Road

Lunch with Leo, Okavango Delta, 2008.  Yes, his tail is flicking.  Yes, he was annoyed that we were disturbing his repast.  And yes, we got out of there.

By Terry Wieland

 

RECOGNITION OF REALITY RETURNS TO BOTSWANA

 

For good, one hopes

 

There is one inescapable conclusion to be drawn from the announcement that Botswana is reopening big-game hunting:  Wonderful.  Now, perhaps, the animals have a chance.

 

Having said that, however, where do you go from there?  None of the arguments pro or con are new.  The only new thing is the fact that politicians seem to actually be behaving sensibly, responding to legitimate concerns of the people on the ground, rather than bowing to pressure from Internet vigilantes or (in some documented cases) taking outright bribes from international so-called ‘animals rights’ groups.

 

The problems faced by the people of Botswana, to say nothing of the lions, elephants, and Cape buffalo of Botswana, are not much different from their counterparts elsewhere on the continent:  Too many people wanting too much of the land, and the animals having no way to fight back against basic economic pressure — no way, that is, except the price that can be put on their heads (literally) for hunting licences and trophy fees.

 

In 1990, I made my first safari in Botswana, hunting from a lovely camp on the edge of the Okavango run by Safari South.  Our tents were scattered among some towering sausage trees, with an outcropping of the delta creating something resembling what I imagine the Garden of Eden might have been.  A resident herd of lechwe waded in the water, against a backdrop of hundreds of birds that came and went in a moving kaleidoscope of color.

 

Two years later, when I returned for a second, longer, sojourn in Botswana, I got a different look.  When I asked about that camp, I was told it no longer existed.  It was now pasture land, and the birds and lechwe had been replaced by cattle — the slow, relentless erosion of wildlife areas that herds of cattle and goats perpetrate from the Tswana lands of Botswana to the Masai territories of the Great Rift Valley.  It is what some call “the inevitability of progress.”

 

There was a simple economic equation at work.  Cattle and goats are money on the hoof.  They can be eaten, or they can be sold to be eaten by others.  Lechwe cannot, nor can flocks of water birds.  My little paradise was gone.

 

Four years later, another trip to Botswana.  This time, I was ensconced in a camp called Tsum Tsum, on another side of the delta.  It was one of four camps operated by Mark Kyriacou; three were hunting camps, while the fourth — as required by game department regulations — was purely photographic.

 

Every couple of days, the camp manager and I would take a truckload of game meat over to the photographic camp.  We took guinea fowl, doves, sand grouse, kudu, tsessebe — anything the hunters in our camp had collected that was surplus to our own requirements.  Refrigeration being at a premium, meat could not be kept long.  We always pulled up to the back of the cook tent and kept our mission to ourselves if we ran into one of the photo clients, most of whom were virulently anti-hunting and regarded us as barbarians.

 

The thing was, they were all there on group tours, paid for at discounts, counting their pennies while discoursing loud and long on how much they loved animals and “if you love animals you don’t kill them.”  They were told the meat they were eating was goat or some native domestic fowl.  I was also told that the only thing that kept the photo camp even close to economically viable was the supply of free meat we provided, as opposed to the very expensive process of shipping in meat either by air or via the ten-hour drive around the delta from Maun.

 

It was a real-life incarnation of the devil’s bargain in H.G. Wells’s The Time Machine.  We, guns in hand, were the Morlocks; they, cameras in hand, were the naive and self-righteous Eloi.  Barbarians we might have been, but we made their sojourn in paradise possible.

 

Another economic fact that is largely ignored by the “green” forces of the world, advocating “non-consumptive” wildlife policies, is that, first, everything dies and, second, everything eats.  The only questions are how things will die, and who will eat what.  Big-game hunters and, to a lesser extent, wingshooters, are prepared to pay big bucks for a safari.  They come in small numbers, and spend large amounts; they try to make a minimal impact on the land, for obvious reasons.

 

Tourists, either so-called “eco-tourists” or the more obnoxious photo-safari clients, come in large numbers and spend small amounts — as little as possible, in my experience, and becoming ever more so as the goal of any trip, anywhere in the world, becomes merely the taking of a few selfies to post on Facebook.

 

People in large numbers require mass accommodation.  They require buses, which require roads; they need to eat in mass quantities, which requires all the infrastructure of civilization, and this infrastructure requires its own support mechanisms of food, transportation, and fuel.

 

Through the 1990s and up to 2008, eco- and photo-tourism steadily gained ground in Botswana, partly through government fiat and partly through the rise of low-priced group tours and economy airfares.  From my first visit in 1990, to my last one in 2008, Maun grew from a dusty little hamlet with only a couple of paved roads, where the major traffic hazard was an errant goat, into a semi-metropolis of traffic roundabouts, honking horns, sprawling hotel-resorts, and hordes of clanking heavy machinery to build and maintain highways.

 

None of the above is what you might call “wildlife friendly,” yet much of it was intended to support “non-consumptive” wildlife tourism.  Hunters, it seems, are the only people who can see the irony in this.

 

While all this was going on, a couple of distinct wildlife controversies played important roles in the life of the delta.  These concerned the hunting of lions and the hunting of elephants.  In the latter case, elephant hunting was closed in Botswana in 1984, then reopened in 1996.  Elephant numbers had ballooned, and they needed to be reduced.  Not enough licences were issued to make much of an impact, but the fact of hunting affected where the elephants roamed and how they behaved.

 

For example, in 1996, at Tsum Tsum, I had the experience of waking up around midnight to the sound of an elephant tearing apart the tree overhead to get at the edible pods.  The ripping of branches and growling of elephant digestion a few inches from my head, separated only by some eight-ounce canvas, was memorable.  A couple of years later, the elephants avoided Tsum Tsum, which made our lives a little less perilous.

 

Something similar happened with lions, but in reverse.  Lion hunting was opened, closed, then opened again, largely in response to international pressure, and lion numbers leapt.  By 2004, lions around Mark’s main camp, Splash, roamed among the tents at night in such numbers that none of the staff would venture out before daylight, when the lions withdrew into the undergrowth.  Missing one’s pre-dawn coffee, sipping and listening to the birds, made a major impression on me (pre-dawn coffee being an important personal ritual) but I didn’t want to see any of our staff get eaten — which could and did happen.

 

As lion numbers burgeoned, unthreatened by rifles, they made serious inroads into populations of Cape buffalo, but instead of reopening lion hunting, the authorities suggested limiting buffalo hunting.  This was more or less the situation when the incoming president, Ian Khama, announced the closure of big-game hunting on public and tribal land, including the Okavango.  This big-game hunter’s Eden since the arrival of William Cotton Oswell in 1849 was turned over to the photo safaris in the zebra-striped vans, all in an attempt to make Botswana the poster boy for the idealistic (and wholly unrealistic) “green” movement.

 

Meanwhile, elephant numbers increased with devastating effects on habitat, lions became as numerous as goats, the Cape buffalo withdrew into the mopane to escape the lions, and the bigwigs of the international animal-rights groups flocked to Maun to drink to their success on the patios of the new photo-safari resorts.

 

Too extreme an image?  Possibly.  You might conclude from this that your correspondent is a tad cynical when it comes to the motives and motivation of politicians, greenies, and animal-rights types.  In the end, history has shown, over and over again, that the only people who genuinely care about the welfare of wildlife, and are willing to spend big bucks to help, are hunters, and the only people who can protect wildlife are the inhabitants of the country where wildlife dwells.

 

The reopening of big-game hunting in Botswana puts those two groups back into a position to protect the animals and ensure their long-term welfare.  Or at least, one would hope.

The Okavango lunch bunch.  Six big male lions used our camp at Tsum Tsum as a screen to attack a herd of buffalo out behind.  They brought down a bull, with great commotion at four in the morning, and were still eating five hours later when we drove out to take a look.  The other three are in the grass, napping.  You would not want to cross these guys.

One for the Road

By Terry Wieland

 

M’BOGO MAN

 

It’s very difficult to write anything new about the Cape buffalo.  It seems that everything that can be said, has been said, and more than once.  From Robert Ruark (Horn of the Hunter) to South African novelist Stuart Cloete (Turning Wheels) to John Taylor (Big Game and Big Game Rifles), the character, personality, and even the personal hygiene of the Cape buffalo have been analyzed, dissected, admired, and written about in vivid and eloquent terms that are impossible to compete with.

 

Many hunters have much more experience with Cape buffalo than I do.  On the other hand, a vastly larger percentage of hunters have considerably less.  Over a 16-year period, I killed seven Cape buffalo — six in Tanzania, and one in Botswana.  Of the seven, only one (1) was a one-shot kill.  In case you’re wondering, of the seven, only one was poorly hit with the first shot.  I’ve been present at the deaths of four or five others, acting as back-up gun.

 

I mention all this by way of presenting my credentials, such as they are, for offering a few opinions on the animals known as M’bogo.  They are my own most-admired big-game animal, which doesn’t mean I like them personally.  I feel about them much the way they seem to feel about me, as well as every other person they run across.  Ruark said a big Cape buffalo looks at you “like you owe him money.”  No one ever put it better.

 

Many years ago, I read an entry in a wildlife encyclopedia that described them as “peaceful grazers,” and all the old stories of their ferocity dismissed contemptuously as “hunters’ tales.”  Having grown up reading Ruark, Taylor, et al, I was infuriated by this, but later found that to an extent it is true.  The Cape buffalo is Jekyll and Hyde:  Peaceful enough (usually) until you annoy him.

 

In 2004, two men were killed by Cape buffalo in separate incidents, one in Kenya and the other in Tanzania.  In the first incident, Simon Combes, a wildlife painter I knew quite well, got out of his car to look at the view of the Rift Valley and was flattened by a buffalo apparently enraged at being disturbed.  Something similar happened to a Canadian hunter who was casing a waterhole.  Neither animal was ever found, so we don’t know if they were carrying a poacher’s bullet or a snare on their leg or were just cantankerous.  Among the Masai living along the Rift Valley, incidents of buffalo taking out their ill feelings on women collecting firewood are quite common, but these are not reported in the pages of hunting magazines.

 

That same year, I was hunting buffalo along the Rift and a herd was grazing its way across a mountain meadow to where it fell away in a steep slope covered with tall grass.  We crept along the edge and crawled up through the grass to the lip of the slope as the herd moved toward us.  Lying there, not daring to move, wondering what they would do when they got wind of us, as they surely would, is one of my most vivid memories of buffalo.  They were so close we could smell them, and out of the corner of my eye I could see Lekina’s handsome Masai face grinning at me wickedly.

 

In such a situation, the danger is that they get in among you and, when they realize you’re there, you’re close enough to pose an immediate threat that needs to be dealt with, not fled from.  That’s how people get stomped, tossed, and flattened.  It’s a memory I treasure, albeit from a safe distance.

The moment when Dr. Jekyll becomes Mr. Hyde usually occurs when a bull is struck by a bullet, not killed immediately, catches his breath, and sizes up the situation.  Then you’re in trouble.

 

It used to be said of young professional hunters in East Africa that it was good to have a close call with a buffalo early in their careers.  Otherwise, they might kill 500 buffalo without incident, become complacent, and it was the 501st that took them out.

 

In his Mr. Hyde phase, a Cape buffalo becomes relentless, cunning, and unbelievably durable.  The word vindictive is often used, but that seems unfair given the fact that you are the one who opened hostilities.  It is not so much vindictiveness as a desire to settle the score, and that seems fair to me.  Also, a mere gesture, such as tossing the offender, does not suffice:  They feel a need to stomp you into marmalade.

 

John Taylor wrote about a buffalo that was wounded, treed the hunter, and then stayed at the base of the tree, slowly dying but refusing to leave.  He was dreadfully thirsty, and could have drunk at a waterhole a few yards away, but 

revenge was more important.  In the morning, when the hunter cautiously climbed down, he found the bull with his head down, as if sleeping — stone dead, but still at his post.

 

In Turning Wheels, Cloete tells of a very accomplished woman hunter, similarly treed, but unable to pull her feet up out of reach.  The wounded bull began licking, eventually removing boots and flesh.  He died right there, but she bled to death, and was later found by her brother.  Her feet were mere skeletons.  Tony Henley, the Kenya professional who finished his career in Botswana, discounted that story because a  buffalo’s tongue is not all that rough.  He had no quarrel with the sentiment, though.

 

My own personal experience with buffalo tenacity occurred in 1993, high up in the crater of Mount Longido, a vast extinct volcano near the Rift.  At 75 yards, I put a bullet into his lungs, he disappeared into a thickly wooded ravine, then lay down to watch his back trail.  Duff Gifford, my PH, and I stood on the lip of the ravine.  We could hear him breathing.  He could hear us talking.  We decided to give him ten minutes, then go in after him.  At ten minutes, almost on the dot, the bull came for us instead.  A flurry of shooting ended with my final bullet in his forehead, shot from the hip, and he died four feet off the muzzle of my rifle.  That was unquestionably the best shot of my life.

 

In recent years, an American professional hunter who operates in Tanzania has made it fashionable for clients to face a contrived buffalo charge.  This is accomplished by deliberately wounding a bull, then choreographing it and using camera angles in such a way that the bull looks bigger than he is, and closer than he is, and the shooter more heroic than he is, all captured on videotape for the folks at home.  One guy of my acquaintance hunted with this individual, and supposedly shot five Cape buffalo this way.  It took considerable effort, since many higher-ups in Safari Club had hunted with the PH in the past, but he and his obscene videos were finally barred from the SCI convention.

 

At one convention, I was signing copies of my book on dangerous-game rifles when one of these clients came up to me and started gushing about how he had learned to do the wounding and the provoking himself, and how “it adds so much to the safari.”  He was actually proud of this, and presumably expected me to congratulate him.

 

The whole idea violates so many principles of ethical hunting that it’s hard to know where to begin, so I’ll just leave it at that.  Sad to say, stories are starting to filter back of other professional hunters, working with game-ranch buffalo, doing the same thing.  Where there’s money to be made and egos to be fed, it’s hard to stop.

 

Thinking back to the bull up on Mount Longido, I find myself admiring him to the point of love.  How can you not admire an animal of such tenacity?  He could have slipped away down the ravine at any time, we would not have seen him through the canopy of brush.  Instead, lying in wait, he must have realized he was dying.  All that was left was vengeance.  When we did not come in after him, he came out after us.  He did not go quietly.  They seldom do.


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