May 2, 2019 | News
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ARCHERY AND BOWHUNTING – why I like it…
By Dr Adrian de Villiers
The reason archery and hunting with a bow is so special is because you are only as good as your last shot.
With archery there is no such thing as sighting in your bow and packing it away till next hunting season, taking it out of moth balls and going hunting with it. It takes regular practise, and it takes gym and exercise to stay in shape. Today’s bows are state-of-the-art machines with computer-designed and C&C cut aircraft quality aluminium parts – they are way better than the cast magnesium riser bows we used in the 1980s. The bows can be fine-tuned, and good archers can easily shoot a golf ball at 100m with them.
There are a number of reasons why bowhunting is so interesting. A rifle hunter can shoot an animal as soon as he sees it in a good position. But it’s just the beginning for a bowhunter. We have to know animal behavior in far greater detail, and especially herd animals.
I do not consider shooting animals at a feeder or at a waterhole as “bowhunting” although when I started I did do so quite a lot. However, all the animals I have entered into the SCI bowhunter’s record book I hunted on foot, and not over bait or from a hide, including the Big Five and a hippo. But I would urge new bowhunters to shoot at least ten animals from a hide until they get over their buck fever and to see which type of shot will have the best results.
It is thought by most hunters that the only shot is the broadside shot behind the shoulder, but that is not the case. When we are bowhunting on foot in the bush, a broadside perfect shot is not always possible or desirable, especially when you are 10 or 15 yards away. All herbivores have their eyes on the sides of their heads, and plains game, unlike us, do not have much of a “blind spot” so to hunt them you need to be more crafty than they are.
You can’t wait till they are close by standing broadside to you and then draw the bow – they will see that immediately. You need to quickly and silently draw as their eyes pass behind a tree or bush, and you must be standing dead still in a leafy suit or Ghillie suit so they don’t recognise you as a human. lt is hard to judge the speed of their movement while they are walking, so it’s a good idea to try get them to stop and then shoot. I use a soft, small animal sound like, “Ma”, similar to a baby wildebeest.
You don’t have to kill something to be “actively hunting”. You can walk and stalk and draw on animals that you are not going to kill just for the practice and excitement! It’s a great way to improve your skills. Hunting and not shooting animals you would normally kill will allow you to get all your ducks in a row – to get into a good position and choose the right moment to draw and aim without the adrenalin pumping stress of shooting a record-book animal.
The archery component of the bowhunt is also tremendously entertaining, and archery is a sport that you might never master. It’s not a sport where you can shoot a perfect shot every time, even under perfect circumstances. I have seen world-class archers, who have won many world titles, shoot badly under hunting conditions. I’ve had some amazingly good days where I could do nothing wrong, and weekends where I just could not do anything right. That’s what I love about it – it’s never over till the animal is in the cooler room.
Nowadays with the drama involved in getting a firearm license, more people are turning to archery. You can buy the bow and accessories in the morning and be practising in the garden by the afternoon. I have taught a lot of novice bowhunters to shoot a bow, and within an hour they are sitting in a hide and hunting animals that same day.
Hunters that used to shoot with rifles become obsessed with bowhunting quite easily. The thought that you are supplying the energy to the arrow that kills the animal puts you much closer to your quarry, and the absence of that devastating explosion of energy and noise is refreshing. I have often shot animals in a herd without any other animal even noticing it.
Many bowhunting farms, including mine, have exemption to hunt all year around, so it’s possible to keep busy all year and thus to keep your equipment in pristine condition all the time.
3 D archery on animal-sized rubber targets is also great exercise and fun. You can choose different shooting lanes to shoot at the same target. When you get proficient at shooting though tiny gaps and being able to visualise the arc that the arrow will take on its way to the target, you can teach yourself to shoot some insane shots, whereas another bowhunter will not even see an opportunity. Whenever I come back from a hunt I have a ritual. I take all my arrows, wash them, and spin them on a jig to make sure they are 100 % straight. If you own carbon arrows you should bend them quite harshly and listen to them – if you hear a creak or crack, discard them. They could explode on the next shot.
Fixed-blade heads and all used heads are either re-sharpened carefully or the blades replaced with new ones. A broadhead should only be shot once and then be re-sharpened. A broadhead shot into an ethafoam butt is not sharp enough to hunt with. Once the arrows, fletches and points are checked, the arrows should be shot once more at a target to check that they are shooting true. The same applies to every new arrow you buy: test it by shooting it before you hunt with it. Every arrow should be weighed when you bring them home to make sure they are within a few grains of each other in weight. Although 20 gr difference in weight has very little effect over 30 yards, over 100 yards it could be as much as a meter higher or lower.
A light and heavy arrow of the same make will look identical. One may have a brass insert, one a plastic or aluminium insert. Because a light arrow may leave the bow before it has taken all of the bow’s energy, a heavier arrow may take more energy, and so the two could shoot a similar height up to 30 yards, but at 60 yards the heavy arrow will drop way more, so testing them from close may not work. Weighing them will tell.
I strongly urge anyone who is reasonably fit and dextrous to try bow hunting instead of hunting with firearms. You will be amazed how much more enjoyment you will get being fully camouflaged and getting into bow range of an animal and hunting it without the animals 50 yards away even knowing that a shot went off.
I have been retired many years now and my bow and archery equipment keep me busy most days for a few hours. Pulling an 85 # bow is good exercise, too. If you are just thinking about archery and need advice on what to buy and where to get it and how to get started, please email me.
Dr Adrian de Villiers Professional hunter & bowhunter, IBEFMaster Bowhunting Instructor. srac@icon.co.za
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Apr 30, 2019 | News
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One for the Road
Maydon is not a name that is commonly grouped with Baker, Selous, Bell, and Taylor, although it should be. In 1935, Major H.C. Maydon published a book on African hunting that was completely outside the norm. It was not an account of one expedition into unknown territory, like some of Baker’s, or about a lifetime of hunting mainly one species, like Bell. Instead, it was the first, as far as I know, of what we might call a handbook on where to go, and how to get there.
Maydon’s Big Game of Africa was intended to be about the nuts and bolts of hunting in Africa for the man without connections or family money — the man who was “keen, mad keen” to hunt big game. In the course of it, Maydon’s own unquenchable enthusiasm shines through like a beacon.
Hubert Conway Maydon was not born into money, never became wealthy and, for that matter, did not enjoy what we might call a stellar career in the British Army. Although a professional soldier and Sandhurst graduate, who served through the Great War when sheer attrition often guaranteed promotion, Maydon only achieved the rank of major. I suspect, although I have no way of knowing for sure, that his devotion to big-game hunting and his penchant for taking long leaves to pursue rare animals in far-off climes, might have contributed to that.
Maydon was born in 1884 and raised in Natal, South Africa, where his father was a minister in the colonial government. He graduated from Sandhurst in 1904 and joined the 12th Lancers, a cavalry regiment. At various times he was stationed in India and parts of Africa, and retired in 1924 when he was just 40 years old. He married in 1930, had one daughter, and died in 1944.
Major Maydon’s literary career was brief. He was editor of Big Game Shooting in Africa, one of the volumes in the Lonsdale Library series, which came out in 1935. As well as editing that volume, he contributed two articles of his own — on hunting Barbary sheep and scimitar-horned (white) oryx in the Sahara. That same year, his own book, Big Game of Africa, was published by Charles Scribner’s Sons.
This book was quite unlike anything that had gone before. It was intended as a guide to hunting all over Africa, written specifically for young men who, like himself, were long on enthusiasm but short on cash. He included advice on what rifles to get, and how to get good ones for less money, but did not go on about it at length. He listed the camp equipment required, and how it should be obtained. From there, he dealt with individual species, countries (or territories, or colonies) and licences.
If this sounds like a tourist guide such as Europe on $5 a Day, it really was not. Although Maydon may not have intended it as such, it is almost the autobiography of a hunter who has outfitted himself almost exclusively, managed to get into remote and forbidding areas by hook or by crook, on camel-back or on foot, spending months at a time in the company of only a pal or two and his native guides.
Maydon’s advice is invariably both practical and pragmatic. For example, he emphasized the importance of having fresh-baked bread. This required yeast, which he advised the hunter to buy in England and take with him, as local yeast was unreliable. He also advised him to learn to make his own bread, ahead of time, otherwise he might find himself in a pinch trying to make bread by reading the instructions on the yeast tin.
By comparison to this advice on bread making, he gave scant attention to rifles themselves. He preferred a Mauser in 8×57 (7.9mm) and a .470 double of unidentified origin. He also admired the .303 British, but worried about the problem of importing ammunition into some jurisdictions. (The Sudan, for example, restricted the import of some calibers, which was partly the reason for the development of the .470 in the first place.) Like most experienced hunters and riflemen, he believed you were better off buying a best-quality rifle, second-hand, from a reputable dealer, than trying to save money with a cheap gun. Aside from these, the only rifle he mentions by name is a Mannlicher .355 (9×56).
While in India, Maydon hunted in the Central Provinces, on the plains, and in the jungles of the Terai. He hunted in Kashmir and the Himalayas, and developed a particular affinity for wild sheep.
Oddly enough, Maydon was not an enthusiastic elephant hunter, partly because even then licences were expensive. Black rhino he regarded as a nuisance to be avoided. As for lion and Cape buffalo, “you can’t hunt them forever.” Leopards were in a category by themselves — the “snakes of the big-game world.” He hunted them, but they held no fascination except in staying alive. And so much for the Big Five.
Major Maydon’s lifetime bag in Africa is something to be envied. He hunted Walia ibex in the Semien region of Abyssinia (Ethiopia) and mountan nyala farther south. In Kenya, he took a big bongo bull high in the Aberdares, and Lord Derby eland in Sudan. Other rarities included Nubian ibex, addax and scimitar-horned oryx, and a dozen others. The list of countries hunted includes Sudan, Somaliland, Abyssinia, Egypt, Libya, Kenya, Tanganyika, Moçambique, the Rhodesias, South Africa, Namibia, and Botswana.
Maydon was, in some ways, ahead of his time. Big bags were not his goal, and he scorned substandard heads. He always wanted he best one he could get, and would not shoot a lesser head just to tick it off the list. Nor did he believe in mowing down the game in order to feed a camp full of hungry followers. Ravenous for meat they might be, he wrote, but they wasted as much as they ate, and accommodating this was no reason to massacre animals.
As he wrote, he was a “still-hunter,” which suggests he may have read Theodore Van Dyke’s book, as that term was not in general use in Africa at that time. Still-hunting is very similar to stalking, but Maydon reserved that term for what happened after you had spotted an animal and were attempting to get close enough for a shot.
Interestingly, in his Mauser rifle, he used Great War military ammunition almost exclusively, but always made certain he was close enough for a sure, killing shot. Shot placement? “Just behind the shoulder, rather lower than higher.” He had his share of failures, of course, but took every possible measure to avoid them.
Local knowledge — familiarity with the game and the terrain that can only be acquired by living there — was of the utmost importance, and in every country he covers, he explains about local tribes, certain customs, and how to find genuinely knowledgeable men — shikaris, Wandrobo hunters, Bushmen, and the like — who knew how to hunt. Not one to limit his tales to his successes, he goes into some detail about his very first expedition to Africa. It was a three-month-long venture into Portuguese East in which he and his companions made every mistake possible, from hiring “townees” instead of real bush natives, to concentrating on the wrong game first, and, by neglecting map and compass, allowing themselves to be “guided” in a circle for the first month.
The account of hunting in the Semien massif of northern Abyssinia is a great story, combining danger, fear (of heights), larceny (by a local guide), and misfortune — a fine ibex that fell thousands of feet, destroying body and skull, and losing the broken horns. What parts of the ibex Maydon did manage to recover was through lowering skinners by ropes and sending up the bits, piecemeal. In the end, Maydon did shoot a 44-inch Abyssinian ibex (#1 in Rowland Ward, 1928, and #2 in the 1989 edition.) His companian, Gilbert Blaine, shot a 41-incher. On that expedition, simply coming back alive was an accomplishment.
Obviously, Major Maydon learned from his mistakes. He was nearing fifty when he wrote his book, long-since retired from the army and living in South Africa. If he had a favorite game animal, it seems to have been the Barbary sheep. He loved deserts and high country, and after hunting wild sheep in the Pamirs, Persia, and the Himalayas, he found the Barbary sheep the hardest to spot, the most elusive, and most cunning of them all. But, reading Maydon, one gets the impression he was as much in love with their country as he was with them.
As he wrote, in hunting big game, “you may be resorting to your natural state, the primitive; but if so, I say, give me the primitive. The game is merely an excuse to an end. You do not go to the wilds for the mere killing, but to win your freedom.”
It is an attitude of which we could use a great deal more.
Big Game of Africa is long out-of-print, but you can find it through the Internet. It is not cheap, and never has been, but if I could have only three or four books on African hunting, it would surely be one of them.
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Apr 30, 2019 | News
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Unique African Ceramic Art
For over 30 years Ardmore Ceramics has transformed the South African art scene by bringing together fundamental western ceramic techniques and the raw creative talent from Kwa-Zulu Natal. Working as the largest US distributor to bring these beautiful ceramics to the US for art collectors, wildlife enthusiasts, and others willing to help support the lives of these individual artists, Pascoe Gallery has continued to assist in Ardmore’s mission.
Here are a few of our most impressive pieces currently on exhibition.
King Cheetah Vase – – H. 13 in. x L. 9.5 in. x W. 9.5 in. – $6,500
Sculptor Senzo Duma | Painter: Thabiso Mohlakoana
Pascoe Gallery’s King Cheetah Vase is one of a kind, featuring a dazzling array of various cheetahs native to the Kwa-Zulu region. The vase pays homage to the very rare King Cheetah which has an unusual coat mutation of long black stripes along its back, instead of typical cheetah spots.
Leopard Sculpture Female – $4,500
Sculptor Molapo Mokoena. Painter Bongekile Ntombela
Molapo Mokoena sculpted a wonderful female leopard, and rising Ardmore painter Bongekile Ntombela who delights in painting genet cats, leopards, and giraffes because of their unique animal patterns, colors the sculpture in rufous tones and with distinct leopard spots.
H. 10 in. x L. 16 in. x W. 7 in. – Rhino Sculpture Family – Male – 3,950
Sculptor – Molapo Mokoena | Painter – Elvis Bonginkosi Mkhize
Four countries, including South Africa, are home to 98% of black rhinos, and Ardmore regularly portrays these iconic animals. Elvis Bonginkosi is one of Ardmore’s top artists, and prefers to paint in realistic styles such as in the sculpture shown above.
LEOPARD URNS PAIR – $19,500 – H. 22 in. x L. 11 in. x W. 8 in.
Sculptor: Sabelo Khoza | Painter: Mickey Chanco
Our Leopard urn pair is one of the most impressive pieces currently in our gallery. It features two dazzling urns adorned with playful leopards. Ardmore painter Mickey Chonco is known for his extraordinary sensitivity for color as is shown in the beautiful combination of hues on the urns.
ELEPHANT RIDER TUREEN – H. 23 in. x L. 16 in. x W. 16 in. – $21,000
SCULPTOR: Senzo Ntshalinstshali | PAINTER: Mama Ntombela
The elephant motif is an integral part of Zulu culture, symbolizing wisdom, strength and power. Senzo Ntshalintshali is the son of legendary Ardmore artist Bonnie Ntshalintshali. His keen ability to sculpt the human figure is evident in the numerous Zulu figures surrounding the tureen.
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Apr 29, 2019 | News
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Krieghoff K-20 Victoria
Ask any woman about the challenges of clays shooting, and most will land quickly on the paucity of shotguns designed specifically to meet their needs and expectations. Krieghoff has addressed that challenge with the introduction of the K-20 Victoria shotgun.
Unlike many manufacturers who simply build a scaled-down version of their standard smoothbore, Krieghoff began by gathering insights from a wide range of women shooters, from novices to pros, to determine exactly what they wanted in a shotgun. The K-20 Victoria over/under is the culmination of those recommendations. To begin, the K-20 has an adjustable comb, allowing shooters to fine-tune this shotgun to their stature and personal preferences. Shotgunning is all about fit. If your gun fits you poorly you’ll never shoot well. To know that your cheek will be planted firmly on the stock when you mount your shotgun is fundamental to ensuring the gun shoots precisely where you’re looking. That, in turn, translates directly to more broken targets.
Weighing in at a comfortable 7 lbs, the K-20 is available in 20-gauge and 28-gauge models with either 30- or 32-inch barrels. The chokes are fixed at modified and improved modified, making it versatile enough to accommodate a wide range of field sports and shooting scenarios.
Of course, a shotgun wouldn’t fully reflect a woman’s needs unless it was beautifully adorned, and the Victoria meets that demand in spades. It features exclusive softly-pointed checkering on the oil-finished forearm and buttstock, all nicely accented by elegant scrollwork. A selection of engraving patterns on the receiver and tang safety are available, allowing the owner to customize the shotgun’s overall appearance to meet their personal style. Further, it comes in a specially designed and beautifully crafted Negrini case.
Women are as discriminating as men when it comes to their shotguns. They want a gun that fits comfortably, is well-balanced and responsive, and that reflects their feminine style. The K-20 delivers all this and more, and is certain to be popular with women who demand the finest in their firearms.
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