Review: Rigby Big Game .416

Author Scott Perkins and his latest dugga boy taken with

Rigby’s Big Game rifle in the long-proven 416 Rigby caliber.

When I was 12, my dad took me to an Issac Walton League banquet at the Broadmoor hotel in Colorado Springs. While waiting for the banquet feast of wild game from all over the world to open, we stepped into the Abercombe and Fitch store to gaze over the many rifles and shotguns they had on display. A&F catered to the global hunter and we almost felt under-dressed walking into the store wearing a tie and sport coat. Having poured over the many hair raising hunting stories of Africa that were found in the numerous magazines and books that adorned my grandfathers and fathers libraries; I immediately went to the African rifle section to see what all of these shoulder canons were all about. There were some new and highly engraved offerings in the smaller magnums from 338 to 375 along with numerous used doubles from 375 Rimless to 450-400 to 600NE; but the one rifle that caught my eye had a dark walnut stock that had been well oiled over the years and had a few nicks and dings showing it had been used and well care for. The barrel and bolt that had the bluing worn off where a rifle that had been handled and used would show wear and tear. I asked if see that one?

 

After my father reassured the stolid salesperson that I could be trusted to safely and carefully handle a rifle, I had the opportunity to hold and shoulder an original Big Game in the highly regarded 416 Rigby caliber. If memory serves me correctly, the rifle was made in 1922 and had never been fitted for a scope. I clearly remember my dad saying that the rifle was offered at a price that equated to the average man’s annual salary. That rifle fit me like a glove. The very moment that I sighted down the barrel and held that well-worn pistol grip and forearm in my hands, I closed my eyes and could smell the heat of the day in sub-Saharan Africa that I had read so much about. I knew right then and there that one day I’d do whatever it took to be able to afford to such a fine-working piece of craftsmanship and follow my dream to Africa and hunt dangerous game, namely Cape buffalo. I remember Dad looking at the price tag and telling me that is more than most men make in a year and carefully hand it back to the gentleman.

 

Flash forward from 1966 to 2016 and I’m wandering around the block-long halls of the Dallas Convention Center surrounded by countless booths of African, North American, and European outfitters with hunting/shooting vendors from around the world. I was in manly-man heaven!

 

Navigating through the pressing crowds of people I wound my way around through the rows of booths and eventually found the Rigby display. While being introduced and nearly putting his freshly-mended broken arm back in a cast while shaking his hand, I had the great pleasure of meeting and discussing the logistics of acquiring a second generation Big Game Rigby with Marc Newton, Managing Director of Rigby. As soon as Marc returned to the UK following the US hunting convention show circuit, the funds were wired and the order was placed.

 

Nearly a year later, the US-bound rifle consignment arrived at Rigby’s importer in San Antonio, Texas. I made the 2-hour trip from Houston to the consignee’s office and made my selection. Trust me, it was hard to select just one rifle, as they were all superbly built. I was the second person in the US to take possession of the famed Rigby Big Game. I called my Dad to tell him that, “by Godfry, it took me fifty years, but I finally own a new version of the version of that Rigby rifle that I held over 50 years earlier – the famed 416.” I got the ‘make sure you break the barrel in properly’ lecture and he hoped that my shoulder could handle that big-assed rifle. “I don’t know why you want one of those things…” My dad never sugar-coated anything, but he respected my dream to finally hunt Africa with a Rigby in my hands. All the way I home I shook my head in disbelief that I now owned the same rifle that had not been made on a true Mauser action since 1939.

 

Having held an original Big Game, the second generation of the famed rifle did not disappoint. The machinists and artisans in the Rigby factory lovingly followed the original blue prints to the smallest of details. I couldn’t wait to get to the range and break in the barrel with factory ammunition. To be perfectly honest, I was not impressed with the accuracy of the factory ammunition offerings that the rifle was proofed with. After using rifles with trigger pulls in 4 pound range, it took me some time to get used to the butter smooth, 2.75lbs trigger pull. Having no take-up or creep, the trigger broke cleanly and exactly at the factory setting and it’s a pleasure to press the trigger and send nearly a quarter of a pound of lead down range. However, the wide, hockey-puck-hard butt pad, which is designed to spread the effect of the felt recoil leaves much to be desired for a slender-built person such as me. That cussed butt pad made shooting the rifle off the bench a punishing ordeal. Not wanting to put layers of coats on the Houston heat and humidity, I had resort to dreaded wussy shoulder pad to diminish the bruising effects from the 58lbs of recoil. For whatever reason, I never feel the 58lbs to 70lbs of recoil when I’m on the shooting sticks with my heavier magnum rifles. I cussed that recoil pad every time I put a round down range, but I got the rifle dialed in with the factory loads that the rifle was proofed with.

Confirming the zero after removing and installing the Recknagel quick release system.

I promised myself to not change the factory recoil pad until the rifle had been properly initiated in Africa. I figured if it was good enough for all the writers I had followed for many years, it would be good enough for me and I just had to man-up.

 

The groupings were okay, but I knew I could do better with my hand-loads. Using 400 grain Federal Triple Shock (TSX), I worked up a hand-load that will cut the same bullet hole at 75 meters – every time.

 

Having returned from a very successful Cape buffalo hunt in Mozambique, this skinny hunter is in the process of replacing the original recoil pad with a recoil absorbing model that is more bench friendly for slender-built guys like me! 

 

I first hunted Cape buffalo 15 years ago with my best friend Frank Fowler, in Coutada 10 of the Marromeau hunting district located on the Zambezi River delta in east central Mozambique. Frank and I contracted our new best friend Gordon Stark, co-owner of Nhoro Safaris to guide our first Cape buffalo hunts for us. Gordon and his partner, Chris Gough, run a highly-respected safari company hunting on the best-managed concessions found in Mozambique, Zimbabwe and South Africa. Hopefully they’ll get back to Tanzania this coming year. 

 

My John Robert’s-built Rigby in 416 Rem was my firearm of choice for those first two hunts in Coutada 10; but I always wished I had the classic 416 Rigby in my hands. Frank took his Dakota 416 Rigby and I was quite envious of that rifle and caliber. Compared to my 416 Rem, with the lower chamber pressures, the 416 Rigby is more of a hard push than a sharp crack to shoot. Frank and I love working up handloads for our doubles to replicate what they were originally regulated to and to have the most accurate ammo chambered in any of our shoulder canons. 

 

To say that the swamps of the Zambezi delta ain’t for sissys is an understatement of profound proportions. I’ll always cherish the experience of seeing the awe-inspiring herds of hundreds and hundreds of buffalo splashing through the reeds and the oppressive heat shimmering in the distance as the cattle egrets danced in the wind over the feeding herds of buffalo. Wading through chest deep papyrus reeds and pulling feet out of the black, fetid mud, knowing full well there were large crocs and hippos nearby is an experience I will never forget. Fifteen years is a long time to diminish the relentless torment of our arms and legs to the hordes of hungry tsetse flies and black clouds of mosquitos.

 

It wasn’t long enough, however, to forget the time we got lost trying cross one of the Zambezi River channels in an overloaded Argo as I was sitting atop a buffalo carcass, in a constant drizzle, no stars or moon, no waypoints on the GPS (after someone who’s initials are Gordon pushed the wrong button) to help us navigate our way back to camp. After two hours of trying to find the crossing, one of Gordon’s trackers told us that the local tracker ‘does not know his way in the dark’. After a long four hours of swatting tsetse flies, skeeters, and three sets of flashlight batteries later, Marco finally found the crossing and we made it back to camp at 2:30 in the morning. We were drenched and totally drained and fell into bed and didn’t stir until noon. Fifteen years wasn’t long enough to forget the three days we spent shivering under rain-saturated rain gear holding palm fronds over our heads as the one and only storm in the entire delta dumped monsoonal rains on us. That storm system would dump on us then drift out over the Indian Ocean long enough for us to hunt a few hours only to return and dump more rain late in the day to end a long day in the bush. The most notable day of C10 hunting memory was my first day in the delta when I nearly died from heat stroke tracking my mortally-wounded bull who just wouldn’t die, in 52C/124F temps with heat indexes in the deadly-to-humans range. I wasn’t about to let monsoon rains, blood sucking tsetse flies or the back-jarring ride and artery cooking temps of engine heat from Argos (intended to be used in the tundra of the Arctic), nor the late season oppressive delta temperatures and a little heat stroke sway Frank and me from our hunts in the delta.

Land Rovers don’t float over axle-deep mud!

I’m very proud of the dugga boys I took on those two hunts in the Zambezi swamps, but I wanted the heavy-bossed, deep curled, well swept-back dugga boys that existed further north in the delta. I wanted the classic buffalo that everyone sees in their minds eyes when they think of a dugga boy. The southern region of the Zambezi delta was very hard-hit during the 17-year Mozambique civil war and those classic Cape buffalo genetics were largely missing as a result of the 300 to 500 buffalo that were shot every week from gunships to feed the troops. The concerted effort by the 14 concession owners for the recovery of the entire ecosystem in the Zambezi delta is something that every game management student should read and follow as the way it’s to be done. It’s a remarkable success story worth the time and effort to learn about.

 

It took me nearly six years after acquiring my Rigby Big Game to take it to Africa and use it for the dangerous game that the rifle and caliber was intended for. Flying during Covid is not for faint of heart or for those of little patience. Frank and I were supposed to hook up in Atlanta and then continue our journey to Joburg and Beira as the deadly duo our co-workers had dubbed us. Frank’s flight was cancelled

and he couldn’t get to Mozambique until two days after I arrived in camp at Nyati Safaris in Coutada 14. The rustic and well-built Nyati Safaris camp is located on the banks of the Kunguma River.

 

The setting was photographer’s dreams. The crocs splashing into the water from the banks around camp and the hippo bulls were our nightly entertainment as they fought and bellowed into the early morning hours of first light.

 

After getting unpacked, we went to the shooting range and confirmed that the Recknagel mounting system left the Swarovski Z6 scope exactly where I left it at my home shooting range located in Divide, Colorado. Not wanting to waste any time waiting on Frank to arrive, the following morning, we quickly finished our breakfast and loaded our gear into the 50-year-old Series Two Land Rover named Elvis. The old Landy is so named because it shakes, rattles and rolls, but it gets you out and back.

 

We bounced and rocked our way out two hours from camp into the start of the swamps as the morning fog evaporated into steam and oppressive late season, bread-baking heat as the sun rose slowly above the horizon. Note: if there’s a bump, hole or rut in the trail that will rattle your fillings, Gordon will find it. Gordon has this bad habit of looking at the person he’s talking to rather than concentrating on where he’s driving. It makes for an interesting driving experience!

 

Being late in the dry season, we were able to drive around most of the waterlogged reeds and watch for the flocks of cattle egrets that followed the buffalo. Avoiding the big herds already cooling off in the water, the keen eyes of our trackers saw the cattle egrets feeding on the bugs kicked up by a herd of five dugga boys. After stopping and taking a hard look through the binoculars, we decided to take a closer evaluation. Staying down-wind, we made a two-mile, hour-long stalk to within 60 meters of the five bulls. They had no idea we were there and continued feeding toward us as they headed to the cool mud of the swamps to rest out the heat of the day. Comfortably resting on the sticks, I was able to evaluate all of the bulls except the one bull that immediately caught my eye.

 

One of the dugga boy’s bosses were completely worn off and the other three were a lateral move to what I had harvested years ago in C10. When the bull in question finally raised his head so I could see his right side, the trigger came off safe and as soon as he turned fully broadside, the Rigby barked in my hands as I chambered another round. He went down like a sack of bricks, yet managed to get back up and take another round before collapsing under a palm tree in an old wallow 25 yards from where he was first shot. Remembering that memorable quip that Gordon Stark coined years ago – bullets are cheap, hospitals are expensive and funerals are sad – two insurance rounds found their marks and my first bull of the hunt was headed to the salt. After six years, my Rigby had finally been properly initiated on the dangerous game and on the continent that it was intended for.

Part of the clean up crew.

Recovered 400gn TSX from the author’s dugga boy.

Arriving in camp two days later, Frank collected a nice bull on his first day of his hunt with his 416. Taking turns on the sticks, Frank took a very nice bull on the last day of our hunt. To date, this one of our best hunts ever; both of us using the venerable 416 Rigby cartridge. 

 

The devastating power of the classic 416 Rigby is undeniable. Having a true Rigby in my hands and hunting buffalo in one of the last remaining truly wild places in Africa, is the thing that fills a young man’s dreams. 

Frank Fowler with his second dugga boy taken with his Dakota chambered in 416 Rigby.

From left to right: Frank Fowler, Gordon Stark of Nhoro Safaris, Scott Perkins and the three dugga boys they took using their 416 Rigby rifles.

Looking at Kenya

Written by Ian Batchelor

 

I was born in Kenya in 1965, a turbulent time in this part of Africa with the uneasy onset of the “winds of change” sweeping the continent, with all sorts of upheaval and uncertainty. Very few countries in Africa escaped this; some emerged pretty much unscathed, others today still bear the scars of this tumultuous change. Writers like Robert Ruark romanticised this time and period with novels like Horn of the Hunterand Uhuru, still two of my all-time favorite novels! Other classics and favorite reads that bring this period in Africa to life are the works of Izak Denisen, Bartle Bull’s Safari and Markham’s West with the Night to mention a few.

 

Kenya, too, went through its fair share of upheaval and growing pains, but it has put its hand up as one of the top safari and wildlife destinations on the continent. It certainly has the many famous and world-renowned areas like the Maasai Mara, Mount Kenya, the Aberdares, Tsavo, the Ngong Hills and Mau Forest, Lake Turkana (the Jade Sea) and then, of course, Amboseli at the foothills of Kilimanjaro, Africa’s highest mountain. Many of these unusual and distant names were made household names and put on the map by the early hunters and explorers that graced these inhospitable lands (the personalities and list is endless, from Stanley, Burton and Speke to “Karamoja Bell”, Finch-Hatton and Selous). They not only carved a name for themselves but for Kenya too. They created history, started the first safaris, and ventured into the most exciting and unexplored realms, giving birth to what Kenya truly is today, a spectacular land of wildlife, landscapes and tribal culture.  Many of Kenya’s tribes still live their lives relatively unchanged by man and the modern world, offering an insight into a bygone era of African myth and legend…the Masai, the Samburu, the Turkana, the Pokot…the list goes on!

Jumping to the present, I really believe that safari and travel to Africa through much of the last century was often seen as a type of fashion statement, something for the trendy and rich and famous! This was before Meryl Streep and Robert Redford brought Kenya and the era of safari travel alive again on the big screen with Out of Africa. The film was a massive hit, and even today I recommend it to would-be clients and prospective safari-goers. It truly embodies so many things about a very special place and a very special time.

 

A private safari to Kenya is a must for any keen traveler and wildlife enthusiast – it offers some of the greatest photographic opportunities in Africa, both wildlife and people. The land has so many varied landscapes and regions of natural beauty, some of the best coastline on the African continent, from world-class accommodations and facilities to the rugged semi-desert regions on Northern Kenya, inhabited by tribes that have not changed for hundreds of years. Some still warlike and proud, they have carved their own unique existence and niche in some rather inhospitable places. Other tribes are more approachable and amenable to tourists and visitor interaction. The Samburu and the Masai with their splendid, colorful “shukas” offer a wonderful distraction from game viewing and wildlife. This is one of the last places in Africa where one can have a truly interactive experience with the original native tribespeople in their natural state.

 

The beginning of any journey through Kenya starts with Nairobi, a city that is now one of Africa’s hubs. It bustles with life, color and sounds, and names like the Norfolk Hotel with the famous Lord Delamere room will ring bells. Today there is a myriad of choice and options. A particular favorite is The Giraffe Manor. This stylish and exclusive property offers something incredible unique. Whether dining or relaxing surrounded by Africa’s tallest mammals, it is not unusual for an inquisitive giraffe to put its head through the window and inspect one’s table!

If time permits, a visit to the Daphne Sheldrick Wildlife Orphanage is an inspiring and worthwhile way to spend some extra time in Nairobi.

 

The annual migration, or rather the “Great Migration” as it is more commonly referred to, meanders its way between Tanzania and Kenya in an endless cycle of movement and drama, from the birthing of the wildebeest calves on the short-grass plains of the Serengeti to the crossing of the Mara River into Kenya and the onset of the first rains. It is a miracle of nature, a magnificent and breathtaking journey, and something I believe everyone should try to see once in their lifetime at least. The Maasai Mara is wildlife-rich and possibly one of the greatest ecosystems and wildlife areas on the planet. It has diversity and beauty, teems with game, and has a rich make-up of predators. Lion, cheetah and leopard are all abundant, as are elephant and even black rhino in certain areas.

 

There are some wonderful safari combinations with the Maasai Mara, including conservancies to the north, such as Laikipia, Borana, Loisaba and Mugie, with sweeping views of the Aberdares and Mt Kenya (Africa’s second-highest mountain). These gems are now at the forefront of successful wildlife conservation. With community buy-in and support, they are leading the field in so many areas. Lewa is another conservancy that ranks among the best destinations on the continent, with many black and white rhino on the savanna plains. Other exciting wildlife areas in Kenya include Tsavo, the scene of the infamous man-eating lions at the turn of the last century.

Follow in the footsteps of those early adventurers and see for yourself. It will be a journey you will never forget!

Ian was born in Nakuru, Kenya in 1965. He spent the early years of his life in this incredible and varied land before his parents moved to Rhodesia, now Zimbabwe. Ian completed his schooling in Zimbabwe at Prince Edward High School for Boys before going to University where he attained an Honors Degree. He also spent a number of years in the South African Army in the 1980’s, part of a very interesting ‘life experience’ as he puts it!
Ian began his work in the safari industry in 1991, he started out as a trainee canoe guide on the Zambezi River and worked his way up through various positions and companies. He was a Game Ranger at a private reserve in South Africa and then went on to hold the Senior Guide position in a company in Malawi & Zambia. In 1996 Ian moved to Tanzania, initially managing an exclusive new safari camp and then later guiding private and exclusive safaris throughout Tanzania for a leading American owned company. He worked, lived and guided in east Africa for the next 14 years.
Ian is a qualified and experienced professional; holding both a PH and Professional Guide License in Zimbabwe and has a very strong conservation and wildlife centric background. A keen wildlife Photographer who loves to share his knowledge with his guests. Today he runs with his wife, Nonnie a successful safari operation, ‘Upmarket Safaris’ offering 50 odd years of combined experience – specializing in private guided journeys for the discerning traveler. They can be contacted at: ian@upmarketsafaris.net; nonnie@upmarketsafaris.net; www.upmarketsafaris.net

Recent trophies from Mokore Safaris

The Mokore Safaris 2021 Season – bringing you a glimpse into the world we offer you, when on safari with our family operation.

ZIMBABWE TROPHIES

ON SAFARI IN ZIMBABWE

MOZAMBIQUE TROPHIES

ON SAFARI IN MOZAMBIQUE

Taxidermist profile – Frank Zitz

Taxidermy is my life

I got into the industry when I was quite young as I had worked for a furrier when I was just a boy.  I had always been interested in taxidermied animals, and first started when I used a mail order from the back of a hunting magazine for a booklet on taxidermy. It was quite accurate though I think a little tough to understand for someone not trained in taxidermy. However, the illustrations and the tools they used for tanning were correct.

Just as I was getting ready to go to college, I worked for a famous local taxidermist, Louis Paul Jonas, from the American Museum. He had a studio north of us, about an hour away, and they did very simple work. They didn’t do any advertising, but their archives and what they had there was everything and more than you could ever imagine – like a museum studio. 

Jonas died while in his 40s, and his clients were dispersed. Then I got a very famous Austrian gunsmith who dropped off a chamois for me to work on, and this was just as I was starting to work at Jonas’s former commercial studio in Mount Vernon, New York, down in the city. The studio was orinally the Tiffany glass factory before it moved to Long Island, so the place had a lot of history. The Austrian said if I wanted to really learn taxidermy, I needed to work for a place in a museum studio.  We didn’t know each other, but he’s still a big friend of mine, hard to believe, 30 years later. 

I went down there for a job interview and looked around.  There was some archival stuff there, up to the roof – a lot of businesses had been there for 50 years or 60 years.  There there old collections of work to be refurbished, and stock. They were overflowing with James Mellon’s trophies, that famous author who wrote African Hunter.  There was amazing sculpture work and things from the original museums. The big elephant head that was there was probably one of the first reproductions. It looked like fibreglass, but made of papier maché and it was signed by all three Jonas brothers. It was was just so amazing.  I never really realised taxidermy even went to those levels.

The person who interviewed me for the job at Jonas’s studios in New York, formerly Louis Paul’s commercial studio, was Steve Horn.  Once I walked in the door, I was 100% sure that was what I wanted to do for the rest of my life, and  it’s not too many times in your life you’re that clear about anything.  He made me call back there seven times to come get that job. I laughed because he said to me, “Well, what do you think you’re worth?” At the time I was 20, finishing my third year of college. I told him I had worked for a fur buyer when I was a kid. I did piece work for him, so by 12 years’ old l was trained in skinning animals using a beaming knife. I was probably making $10 an hour every day and it was an erratic schedule.  I put in a lot of hours, and if necessary had to work on Christmas Day. It was fine, because that was my job, even as a young boy. 

So when Steve Horn said, “Well what do you think you’re worth?”  I said, “Well, I don’t know – I’m just sure this is what I want to do.”

He said that someone had just left and there was an opening for the shop. It wasn’t really as an apprentice, but Steve said, “You’ll learn a lot, you can work with these other taxidermists.” I was paid $4.10 an hour. I had to drive an hour and 40 minutes to work every day.  So every week I wouldn’t really even take a pay cheque, I would just buy materials because I was doing taxidermy then, so I would buy pastes and have tanning done and things like that.  But I worked there for years and I learnt a lot. I met some good, interesting people, and then as I progressed, I searched out other people in the industry, people that were connected to places that were very good in certain facets of taxidermy, like African work or doing cats. I would go work for them for free and then come back and I would retrain my men and change our material.  So I did that probably three or four times in my life before I was 30. 

At one point we were hired to work on Cabela’s projects and there was a pretty famous taxidermist who was handling those jobs. I had a tremendous amount of inventory that I had purchased over the years, and I kind of stepped into this strange job from this eccentric guy who wanted to build a Cabela’s type store, right in-between the two Cabela’s stores in West Virginia. They were going public, so they were making a big splash. We do all North American taxidermy, but when we got an opportunity to actually work for Cabela’s, they hired me to do exclusively African work.

Of course, African work is always the hardest with the highest level of detail, and I was really fortunate, because that’s when I met Wayne. They had sent their agents to collect skins and they made some deals with some guys in South Africa, game ranchers. They said, “Oh, we need kudus and this and this and this,” and they gave a laundry list.  But the problem was, the first two times the skins came back, which is what they handed me, they were average-sized animals. The problem was, they wanted record-book-size horns which could be made as reproductions, but the skins were too small.

So I told him I had the inventory covered: “Why don’t you let me just supply the inventory, supply the grasses, the African birds, all the skins. I’ll do the reproduction horns so we have them from record-book-size animals.  I’ll handle this for you, you don’t have any problem.”  They agreed.

That helped me.  Through those years I was able to do almost all African work for Cabela’s.  I did a few other things for that Pennsylvania store, but they didn’t want to have one person handling everything.  Africa was my thing.  And then it also helped me to go to Africa and collect animals and spend a month over there with Wayne. He liked what we were getting, mostly skins, and I got the experience of hunting and vacation, and kept my own horns and skulls, and we used reproduction record-book ones on the animals in the bigger mounts in the stores.  And then after that we did a lot of regular client African work, as well as North American work.  On one occasion I was at Safari Club and had a big glass case with African birds in it, all the stuff that you see in a bird scene.  I had maybe 15 birds in a case and a man walkedup to the case and said “Wow! I need those for my museum. Are those for sale?” I said, sure. 

“How many do you have?” 

“Oh, about 250.” 

“I’ll take them all,” he said, shook my hand and said, “I’m Johnny Morris.”  And that was the beginning of our relationship and he hired us for the African exhibits for him, and I think we did just short of 300 life-size animals for that museum.  There were a lot of different parts of it that would take some expertise – not just doing it, but having the right brokers to bring these trophies in from outside that had been sitting in Africa for a long time. But we were able to get all that stuff done, as well as do some reproduction animals for him that were impossible to find, and do some restoration work on some things that were very complicated.  Anyway, so it’s the African work and it’s what we do mostly.

Favorite animal? Almost everybody says cats because they’re complicated, and we absolutely have done lots of them. For me personally, my honest answer is, I don’t really have anything I would say is a favorite, but I like high detail and I like craftsmanship and natural positions on things, so I could say cats. But I don’t, because they’re probably the focal point in taxidermy. We’re not really doing any elephants or any lions, so that would have to mean leopards.

I think even though we’ve been fortunate enough to work on Cabela’s African displays and Johnny Morris’s African museum, and people with world-famous sheep and mountain scapes, we still do lots of normal work for people as far as African safaris and small safaris are concerned. We enjoy working with people when they’re new and when they start their trophy rooms and they start that journey of hunting of a lifetime.  You start somewhere and start small.

 And then we end up re-doing their trophy rooms, and we usually work for these people for most of their lives – and that’s true.

Contact Frank at frank@taxidermymuseum.com or visit www.taxidermymuseum.com

Highlights from John Sharp Safaris

Just a quick update to let you know what’s been happening with me in the field.

My first hunt of the year was a leopard hunt with Andy from North Dakota.  We hunted on Malangani where I knew there was a huge leopard – we saw him in 2019 lying on a three-quarters-grown wildebeest that he had just killed.  He was 50 yards off the road and we watched him for quite a few minutes before he slunk off. This guy was our obvious target but he proved very elusive. All we could find was 10-day-old tracks in one riverbed but nothing else.

We baited the whole area hoping he would show up but he never did.  Andy ended up taking another cat right near the end of the hunt.  Dropping our baits on the last day we found his tracks from the night before in the same riverbed where we had found his old tracks.  He had followed our drag to our bait but then just walked away.

At the beginning of June, Patrick, a retired policeman from NY, arrived with his nephew, James, for a buffalo hunt out of Nengo camp, again in the BVC. After torrential rains the bush was thicker than I’ve ever seen it, and I’ve been in the area for over 28 years! We caught the tail end of two cyclones that struck Mozambique.

As there was so much water about everywhere it was only after a few days that we found buffalo tracks to follow. Starting at 9.15 a.m. we followed them for many miles, often getting pretty close to them, but were unable to get sight of their horns. We finally called it quits and broke for lunch at 4 p.m.

The next morning we again found their tracks and got after them. The wind wasn’t that good but we spotted two bulls and managed to flank them and get the wind more in our favor. Creeping in close, Isaac and I saw that one bull had a good head and he was feeding into a slightly more open area. Please understand that the bush was still very thick, but at least we could see him. Moving Pat forward he finally got a shot and the bull was swallowed by dense, thick bush.

An example of the incredibly dense bush in which the wounded bull was hiding – totally invisible!

Trying to skirt the very thick stuff, both trackers said they could hear his labored breathing and then announced that he had fallen over. We got around the large thicket and moved closer on the hind side to look for blood. A few feet in front of us the bush suddenly exploded and he launched himself towards us at full speed. There was little time to react even though I was ready. As he passed on my left side at a distance of no more than six feet, I snapped a shot at his head, knowing he was headed straight for Pat and James. I guess the blast in his face and the 500-grain .470 that penetrated the nerve in his horn, persuaded him to change course and he ran between me and my friends as I gave him the second barrel just below the base of his tail. Much to our relief and to cut a long story short, we finally put him down after 13 shots. The good Lord was undoubtedly standing with us that morning.  I don’t believe I’ve ever hunted in bush this thick!

We hope that you will join us in our little slice of paradise real soon.

Blessings,

John

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